TDC 55 Winners

We’re proud to announce the winners of TDC 55. The winners listed below will be featured in Typography 30.

This year’s competition saw a total of 1733 entries from 33 countries: of the total, 957 (55%) from the U.S. and 776 (45%) from other countries. Total work selected included 215 from 21 countries. Of the total number 97 (45%) from the U.S. and 118 (55%) from other countries. The countries include: Australia, Austria, Belgium, Brazil, Canada, China, England, Germany, Italy, Japan, Korea, Mexico, The Netherlands, New Zealand, Portugal, Slovenia, Spain, Sweden, Switzerland and Taiwan.

Typography 30Werner Design Werks, Minneapolis, Minnesota, designed the TDC55 Call for Entries and Typography 30 which will be available in December. Published by Collins Design, an imprint of HarperCollins Publishers.

“The quality of the submission was incredible and it was heartbreaking seeing some of those entries being discarded by the judges who had to pick the best amongst the best”.
Matteo Bologna, Mucca Design, Inc., TDC55 competition chair

The Jury
Laurie DeMartino, Laurie DeMartino Design Co., Minneapolis, MN
Roberto de Vicq de Cumptich, deVicq design, New York
Chris Dixon, New York Magazine, New York
Tina Roth Eisenberg, Projekt2, New York
Jeffrey Fisher, Paris, France
Matthew Richmond, The Chopping Block, New York
Alex Trochut, Barcelona, Spain

The Winners

1 Calendar
Design: Kum-jun Park, Jung-ran Kim , Seoul
Design Office: 601bisang
Principal Type: various

2 Calendar
Design: Joana Hoffmeister and Thomas Kappes, Hamburg, Germany
Agency Monoki: Design & Communication
Principal Type: various

3 Promotion
Design: Jessie Fairweather, Melbourne, Australia
Studio: Foundry Typography, Design & Visual Dialogue
Principal Type: FF Gotham

4 Book Jackets
Design: Xavier Banús and Armando Fidalgo
Barcelona
Design Office: Compañía
Client: Paidós
Principal Type: Lubalin Graph, Garamond

5 Book Jackets
Design: Ena Cardenal de la Nuez, Madrid
Client: Instituto Cervantes New York
Principal Type: Bodoni

6 Annual Report
Design: Sébastien Bisson
Montréal
Creative Direction: Louis Gagnon
Design Office: Paprika
Client: Cascades
Principal Type: Akzidenz Grotesk, Baskerville, Didot

7 Advertisement
Design: Simon Redwood
Auckland, New Zealand
Art Direction: Emmanuel Bougneres
Creative Direction: Nick Worthington
Agency: Colenso BBDO
Client: Mercedes-Benz
Principal Type: Roads

8 Book Jacket
Design: Ena Cardenal de la Nuez, Madrid
Client: Empu Sendok Art Station (ESAS)
Principal Type: Elegant Garamond Bold

9 Book Jacket
Design: Henry Sene Yee, New York
Art Direction: Flag
Creative Direction: Anne Twomey
Publisher: Hachette Book Group
Client: Twelve Books
Principal Type: Helvetica Neue

10 Book Jacket
Design: Ariane Spanier, Berlin
Design: Client: FUKT magazine
Principal Type: handLettering

11 Book Jacket
Design: Ariane Spanier, Berlin
Studio: Ariane Spanier
Design: Client: Europan Norway
Principal Type: handLettering

12 Book Jacket
Design: Isaac Tobin and Lauren Nassef, Chicago
Creative Direction: Jill Shimabukuro
Lettering: Lauren Nassef
Design Office: The University of Chicago Press
Principal Type: Attleboro Gothic, Hoefler Text

13 Book Jacket
Design: Charlotte Strick, New York
Creative Direction: Susan Mitchell
Publisher: Farrar, Straus and Giroux
Principal Type: Facade, woodtype

14 Catalog
Design: Dirk Heine and Cord Warnecke, Hannover, Germany
Agency Heine Warnecke Design GmbH
Client: Antonio Viani Importe GmbH
Principal Type: Filosofia, Morgan Avec

15 Brochure
Design: Louise Fili and Jessica Hische, New York
Art Direction: Louise Fili
Creative Direction: Louise Fili and Steven Heller
Design Office: Louise Fili Ltd.
Client: Edizione Corraini
Principal Type: Sackers Italian Script, Walbaum

16 Brochure
Design: Travis Brown, St. Louis
Creative Direction: Eric Thoelke
Design Office: TOKY Branding + Design
Client: Eco-Urban Homes
Principal Type: Trade Gothic

17 Brochure
Design: Ken-Tsai Lee, Chiung-Hui Chiu, New York
Studio: Ken-Tsai Lee Design Studio
Client: Harvest Advertising, Co.
Principal Type: Helvetica

18 Brochure
Design: Craig Oldham, Manchester, England
Agency: The Chase
Client: University College Falmouth
Principal Type: Univers, Gothic No. 13

19 Book
Design: Chris Campbell, David Kaul, Seattle
Art Direction: Steve Cullen
Creative Direction: Matt Peterson, Jim Haven
Agency: Creature
Principal Type: Various

20 Catalog
Design: David Voss
Leipzig, Germany
Studio: David Voss/type-f.com
Client: Zentrum für Zeitgenössische Fotografie Leipzig
Principal Type: F-Stop 08, Georgia

21 Brochure
Design: Anthony Deleo, Shane Keane
Adelaide, Australia
Photography: Toby Richardson
Studio: Voice
Client: Finsbury Green
Principal Type: Fedra Sans, Fedra Serif, Missionary

22 Catalog
Design: Anthony Deleo, Shane Keane
Adelaide, Australia
Creative Direction: Anthony Deleo, Scott Carslake
Photography: Toby Richardson
Studio: Voice
Client: Toby Richardson
Principal Type: Egyptienne, custom

23 Brochure
Design: Sarah Nelson Forss, Sharon Werner, WORK Labs
St. Paul, Minnesota
Art Direction: Sharon Werner
Creative Direction: Cabell Harris, WORK Labs
Richmond, Virginia
Studio: Werner Design Werks, Inc.
Client: WORK Labs
Charles Luck Stone Center
Principal Type: various

24 Catalog
Design: Takaaki Matsumoto, Hisami Aoki
New York
Lettering: Takaaki Matsumoto
Art Direction: Takaaki Matsumoto
Creative Direction: Takaaki Matsumoto
Design Office: Matsumoto Incorporated
Client: Art Center College of Design
Principal Type: Univers

25 Brochure
Art Direction: Andréas Netthoevel, Martin Gaberthüel
Biel, Switzerland
Printer: Ediprim
Studio: Second Floor South
Client: Mario Ebinger, Michèle Graf
University of the Arts Bern
Principal Type: Helvetica

26 Greeting card
Design: Cedric Aubrion, Carole Mannekens, Astrid Verdeyen
Brussels
Creative Direction: Franck Sarfati
Olivier Sténuit
Studio: SIGN*
Principal Type: Trade Gothic Extended

27 Installation
Design: Richard The, Joe Shouldice
New York
Lettering: Richard The
Creative Direction: Stefan Sagmeister
Studio: Sagmeister Inc.
Client: Experimenta
Principal Type: custom

28 Invitation
Design: Matt Dorfman
Brooklyn, New York
Studio: Metalmother
Principal Type: ITC Century, Cooper Black, Futura, Rockwell

29 Folder
Design: Philipp Putzer
Bozen, Italy
Art Direction: Alfons Demetz
Creative Direction: Uli Prugger
Design Office: GRUPPE GUT
Principal Type: Avenir, Basicdots

30 Kit
Design: Emily Pacey
Sydney, Australia
Art Direction: Katherine Hall
Creative Direction: James de Vries
Studio: de Luxe & Associates
Client: Institute of Public Administration Australia (IPAA)
Principal Type: Knockout

31 Holiday card
Design: Max Spector
San Francisco
Art Direction: Joshua C. Chen
Creative Direction: Joshua C. Chen
Agency: Chen Design Associates
Client: Chen Design Associates
Full Circle Press
PaperSpecs
Principal Type: Futura, New Century Schoolbook, Trade Gothic LH

32 Promotion
Design: Mina Zabnikar
Ljubljana, Slovenia
Lettering: Mina Zabnikar
Design Office: Mina Fina
Principal Type: handlettering

33 Promotion
Design: Oliver Henn, Vanessa Poscher, Carsten Prenger, Helge Rieder
Düsseldorf, Germany
Art Direction: Carsten Prenger, Vanessa Poscher
Creative Direction: Oliver Henn, Helge Rieder
Design Office: 804© GRAPHIC Design
Principal Type: various

34 Posters
Design: Patrick Bittner, Saarbrücken, Germany
Art Direction: Patrick Bittner
Design Office: Patrick Bittner
Client: André Mailänder
Stadtbild Kammerspiel–Das Fotografische
Principal Type: Bitte Mono, Prillwitz

35 Campaign
Design: Jennifer Bagheri, Amadeo DeSouza, Jeremy Mende
San Francisco
Art Direction: Jeremy Mende
Photography: Eduardo Solér
Oakland, California
Studio: MendeDesign: Client: American Institute of Architects, California Council
Principal Type: Apex Sans, Gravur Condensed, Simple

36 Exhibition/installation
Design: Matt Convente
Boston
Muriel Dégerine
New York
Julia Bessler, Mai Kato, Mingxi Li, Rio de Janeiro, Brazil
Lettering: Matt Convente
Art Direction: Muriel Dégerine
Creative Direction: Nereo Zago
Producer: Manuel Toscano
Project Manager: Jenna Robles
Studio: Zago LLC
Client: United Nations Development Programme
Principal Type: Helvetica, FF Typestar

37 Booklets and posters
Design: 2xGoldstein
Karlsruhe, Germany
Design Office: 2xGoldstein
Client: Adam Seide Archiv
Principal Type: Akkurat, Baskerville

38 Environmental campaign
Design: WeShouldDoItAll (WSDIA), Corey Yurkovich
Brooklyn, New York“@
Design Offices: WSDIA, Corey Yurkovich
Client: Center for Architecture (American Institute of Architects New York Chapter)
Principal Type: Star Dot

39 Magazine pages
Design: Ian Allen, Gail Bichler, Arem Duplessis, Hilary Greenbaum, Leo Jung, Julia Moburg
New York
Deputy Art Director: Gail Bichler
Lettering: Gyongy Laky
Art Direction: Arem Duplessis
Creative Direction: Janet Froelich
Publication: The New York Times Magazine
Principal Type: Sunday

40 Magazine page
Art Direction: David Sebbah
Christopher Martinez
New York
Creative Direction: Janet Froelich
Artwork: Sarah Sze
Publication: T: The New York Times Style Magazine
Principal Type: Fraktur, Stymie NYT

41 Magazine page
Art Direction: David Sebbah, Christopher Martinez
New York
Creative Direction: Janet Froelich
Artwork: Sean Capone
Publication: T: The New York Times Style Magazine
Principal Type: Fraktur, Stymie NYT

42 Magazine spreads
Design: Ian Allen, Hilary Greenbaum, Sean McKay
New York
Art Direction: Arem Duplessis
Creative Direction: Janet Froelich
Lettering:Simon Corry, Eric Ku, Hye Jin Lee, Tom Van de Velde
Publication: The New York Times Magazine
Principal Type: handLettering

43 Magazine page
Art Direction: David Sebbah, Christopher Martinez
New York
Creative Direction: Janet Froelich
Artwork: Brian Dettmer
Photography: Stephen Lewis
Publication: T: The New York Times Style Magazine
Principal Type: Fraktur, Stymie NYT

44 Magazine page
Art Direction: Jana Meier
New York
Creative Direction: Dean Markadakis
Lettering: Owen Gildersleeve, Omnivore, Post Typography, Paul Sahre, Julie Teninbaum, Kevin van Aelst
Publication: Fast Company
Principal Type: handLettering

45 Magazine page
Art Direction: David Sebbah, Christopher Martinez
New York
Creative Direction: Janet Froelich
Artwork: Kamo
Photography: Kazunari Tajima
Publication: T: The New York Times Style Magazine
Principal Type: Fraktur, Stymie NYT

46 Magazine
Art Direction: Kristina DiMatteo
New York
Associate Art Direction: Lindsay Ballant
Lettering: Gluekit
New Haven, Connecticut
Publication: Print

47 Magazine cover
Art Direction: Kristina DiMatteo
New York
Associate Art Direction: Lindsay Ballant
New York
Lettering: Karsten Schmidt
PostSpectacular
London
Publication: Print
Principal Type: custom (photograph of wood and felt object)

48 Installation
Design: Scholz & Friends Identity
Berlin
Creative Direction: Nicole Algieri, Frederik Hofmann, Jinhi Kim, Juergen Krugsperger, Gito Lima, Olivier Nowak, Christian Ruehe
Managing Direction: Penelope Winterhager, Wolf Schneider
Design Agency: Scholz & Friends Identity
Client: Bundesministerium für Bildung und Forschung
Principal Type: DIN

49 Corporate identity
Design: Rob Alexander, Jeff Bucholtz, Will Ecke, Gaelyn Mangrum
San Francisco
Creative Direction: Jason Schulte, Jill Robertson
Copywriters: Ben Acker, Jon Adams, Rob Alexander, Dave Eggers, Lisa Pemrick, Jennifer Traig, Anna Ura, Dan Weiss
Design Office: Office: Jason Schulte Design Inc.
Client: 826 Valencia
Principal Type: Brothers, Baskerville Old Style

50 Annual report
Art Direction: Jonathan Herman
Calgary, Canada
Creative Direction: Monique Gamache, Joe Hospodarec
Lettering: Jonathan Herman
Copywriter: Saro Ghazarian
Printer: Blanchette Press
Vancouver, Canada
Agency: WAX
Client: Calgary Society for Persons with Disabilities
Principal Type: handlettering

51 Magazine spread
Design: Delgis Canahuate
New York
Design Direction: Fred Woodward
Publication: GQ
Principal Type: Courier New, Helvetica Neue

52 Magazine article
Design: Scott Dadich, Christy Sheppard, Margaret Swart
San Francisco
Design Direction: Wyatt Mitchell
Art Direction: Scott Dadich
Creative Direction: Scott Dadich
Lettering: 2×4, Inc.
New York
Publication: Wired
Principal Type: Exchange, Vitesse, digital handlettering (using a human finger)

53 Annual report
Design: Sucha Becky
Washington, DC
Art Direction: Pum Lefebure
Creative Direction: Pum Lefebure
Jake Lefebure
Design Office: Design Army
Client: Human Rights Campaign
Principal Type: Swiss 721 BT

54 Annual report
Design: Julie Brassard, Isabelle Allard-Gendron
Montréal
Art Direction: Julie Brassard
Creative Direction: Barbara Jacques
Producer: Louis Dorval
Production Artist, Daniel Cartier
Design Office: Identica Branding & Design
Client: Enablis
Principal Type: HTF Gotham, Omnes Hairline

55 Packaging
Design: Anne-Lene Proff, Christian Schwendtke
Berlin
Art Direction: Peter Bünnagel, Barbara Kotte, Anne-Lene Proff
Agency: Scrollan
Client: Heimat Werbeagentur
Principal Type: News Gothic

56 Packaging
Design: Shun Kawakami
Tokyo
Art Direction: Shun Kawakami
Creative Direction: Shun Kawakami
Design Office: Artless Inc.
Client: Issey Miyake Inc.
Principal Type: Flexo

57 Packaging
Design: Mia Heijkenskjöld, Sofia Ekvall
Stockholm
Design Direction: Susanna Nygren Barrett
Creative Direction: Catrin Vagnemark
Design Office: BVD
Client: V & S Group
Pernod Ricard Nordic
Principal Type: various

58 Packaging
Design: Mark Gowing
Sydney, Australia
Design Office: Mark Gowing Design
Client: Preservation Music
Principal Type: Franklin Gothic

59 Packaging
Design: Fiona Curran, Paula Talford
London
Art Direction: Fiona Curran
Creative Direction: Garrick Hamm
Design Office: Williams Murray Hamm
Client: Tilda
Principal Type: Trajan

60 Packaging
Design: Supreeya Pongkasem, Madeleine Corson
San Francisco
Creative Direction: Madeleine Corson
Studio: Madeleine Corson Design
Client: Ovid Napa Valley
Principal Type: Adobe Garamond, Courier, Engravers

61 Packaging
Design: David Guarnieri
Montréal
Art Direction: Louis Gagnon, David Guarnieri
Creative Direction: Louis Gagnon
Lettering: Paprika
Design Office: Paprika
Client: Maison Albert Bichot

62 Packaging
Design: Thomas Gabriel
Vienna
Art Direction: Thomas Gabriel, Cordula Alessandri
Creative Direction: Cordula Alessandri
Lettering: Thomas Gabriel
Studio: alessandriDesign
Client: Château de Roquefort
Principal Type: Akizidenz Grotesk, Bodoni Black, Mostra Black, Rody, Univers Condensed, custom

63 Book
Design: Ina Bauer, Frank Geiger, Sascha Lobe, Thorsten Steidle
Stuttgart, Germany
Creative Direction: Sascha Lobe
Design Office: L2M3 Kommunikationsdesign GmbH
Client: Stiftung Buchkunst, Frankfurt am Main
Principal Type: Berthold Akzidenz Grotesk

64 Book
Design: Andrew Howard, Rita Carvalho
Porto, Portugal
Art Direction: Andrew Howard
Studio: Studio Andrew Howard
Client: Silo–Espaço Cultural, NorteShopping
Principal Type: Dolly

65 Books
Design: Svenja von Döhlen, Tim Finke, Tino Hummel, Steffen Wierer
Berlin
Art Direction: Svenja von Döhlen, Tim Finke, Tino Hummel, Steffen Wierer
Creative Direction: Svenja von Döhlen, Tim Finke, Tino Hummel, Steffen Wierer
Assistants: Frederic Gross, Sebastian Vollmar
Design Office: formdusche
Client: Zentrum für Zeithistorische Forschung Potsdam
Principal Type: Akzidenz Grotesk, Bodoni, Clarendon, Helvetica, Proforma

66 Book
Design: Stefan Bargstedt
Bremen, Germany
Design Office: Bargstedt Visuelle Kommunikation
Client: Carl Ed. Schünemann Verlag
Principal Type: DTL Documenta, BlenderPro

67 Book
Design: Ian Chong
Sydney, Australia
Art Direction: Katherine Hall
Creative Direction: James de Vries
Lettering: Harry de Vries, Wilhelmina de Vries
Studio: de Luxe & Associates
Client: Forest Lodge Public School
Principal Type: HTF Acroplis, Farnham, HTF Gotham

68 Book
Design: Yoshimaru Takahashi
Osaka, Japan
Art Direction: Yoshimaru Takahashi
Creative Direction: Yoshimaru Takahashi
Design Office: Kokokumaru Co., Ltd.
Client: ddd gallery
Principal Type: custom

69 Book
Design: Hiroaki Nagai, Daisuke Yajima
Tokyo
Art Direction: Hiroaki Nagai
Photography: Shinichi Kaneko
Design Office: N.G. Inc.
Client: Shinichi Kaneko
Principal Type: Stencil

70 Book
Design: Michael Bierut, Rebecca Gimenez
New York
Art Direction: Michael Bierut
Studio: Pentagram Design: New York
Client: The Monacelli Press
Principal Type: Helvetica Neue, RomanSque, RomanT

71 Book
Design: Ilja Sallacz
Augsburg, Germany
Art Direction: Cilly Klotz
München, Germany
Creative Direction: Ilja Sallacz
Layout: Rainald Schwarz
Production: Sebastian Runow
Design Office: LIQUID | Agentur für Gestaltung
Client: Prestel Verlag
Principal Type: Fedro Mono, AF Generation

72 Book
Design: Ina Bauer, Sabine Brown, Sascha Lobe, Gabriele Ruf
Stuttgart, Germany
Creative Direction: Sascha Lobe
Photography: Wolgram Palmer
Design Office: L2M3 Kommunikationsdesign GmbH, hg merz
Client: Mercedes Benz Museum GmbH
Principal Type: Corporate S

73 Books
Design: Lisa Neuhalfen
Berlin
Christian Ide
Leipzig, Germany
Design Offices: Book-Design: moretypes, Berlin
ALINEA-PRESSES, Leipzig
Client: Eichborn Verlag, Frankfurt/Main
Principal Type: Ehrhardt, Lapture, Meridien, Swift

74 Book
Design: Beatrice Blumenthal
London
Creative Direction: Domenic Lippa
Typographer: Beatrice Blumenthal
Design Office: Pentagram Design: London
Client: London Design Festival
Principal Type: OCR-B Medium

75 Book
Design: Kjell Ekhorn
London
Jon Forss
Minneapolis
Creative Direction: Kjell Ekhorn, Jon Forss
Design Office: Non-Format
Client: Rizzoli
Principal Type: Roeg, Avenir

76 Book
Design: Ryan Pescatore Frisk
New York
Catelijne van Middelkoop
Rotterdam, The Netherlands
Art Direction: Ryan Pescatore Frisk, Catelijne van Middelkoop
Creative Direction: Ryan Pescatore Frisk, Catelijne van Middelkoop
Studio: Strange Attractors Design
Client: Fu Ruide
Principal Type: ITC Century, Century Gothic, Glaser Stencil, Adobe Song Std

77 Book
Design: Li Junrong, Peng Jun, Yuan Wei, Hei Yiyang, Shenzhen, China
Art Direction: Hei Yiyang
Creative Direction: Hei Yiyang
Design Office: SenseTeam
Client: Huasen Architectural & Engineering Designing Consultants Ltd.
Principal Type: custom

78 Magazine
Design: Anthony Donovan, Adrian Hing
Sydney, Australia
Creative Direction: Vince Frost
Writer: Lakshami Bhaskaran
London
Design Office: Frost Design
Client: D&AD
Principal Type: FS Pele

79 Magazine
Design: Matt Willey
London
Creative Direction: Matt Willey
Studio: Studio8 Design
Client: Publishing and Design Group
Principal Type: Champion, Chaparral

80 Magazine
Design: Matt Willey, Matt Curtis
London
Creative Direction: Matt Willey
Studio: Studio8 Design
Client: Plastique Publishing
Principal Type: Archer, Garamond Premier Pro, Rhode

81 Magazine
Design: Rita Carvalho, Andrew Howard, Pedro Pina
Porto, Portugal
Art Direction: Andrew Howard
Studio: Studio Andrew Howard
Client: Centro Regional de Artes Tradicionais (CRAT)
Principal Type: Charter, Knockout, Whitney

82 Program
Design: Ludovic Balland, Claudio Casutt, Julia Schibler
Basel, Switzerland
Art Direction: Ludovic Balland
Design Office: Ludovic Balland–Typography Office
Client: Stadtkino Basel, Switzerland
Principal Type: Alternate Gothic, Baskerville, Bembo

83 Magazine
Design: Kjell Ekkorn
London
Jon Forss
Minneapolis
Art Direction: Kjell Ekkorn, Jon Forss
Design Office: Non-Format
Client: The Association of Illustrators
Principal Type: Supersize, Futura

84 Student project
Design: John Passafiume
Louisville, Kentucky
Instructors: Jenny El-Shamy, James Reidhaar, Tom Walker, David Wolske
School: Indiana University
Principal Type: handLettering

85 Student project
Design: Marcus Sonntag
Wuppertal, Germany
Professor: Hans Günter Schmitz
School: Bergische Univeristät Wuppertal
Principal Type: Minion Pro, Univers

86 Student project
Design: Suckzoo Han
Philadelphia
Instructors: Paul Sahre
Hannah Yampolsky
School: School of Visual Arts, New York
Principal Type: Helvetica Neue, HTF Knockout

87 Student project
Design: Trudie Dutt
Wellington, New Zealand
Instructor: Gilberto Andrès Salinas
School: Whanganui School of Design
Principal Type: Univers

88 Student project
Design: Annie Schussler
Summit, New Jersey
Instructor: Etta Siegel
School: Parsons the New School for Design
Principal Type: handcrafted with pins

89 Packaging
Design: Carol Kono-Noble
Culver City, California
Creative Direction: Michael Boychuk
Lettering: Carol Kono-Noble
Copywriter: Gerard Seifert
Agency: WONGDOODY
Client: Round Table Pizza
Principal Type: Trade Gothic, hand-drawn

90 Student project
Design: René Siegfried
Kiel, Germany
Professors: Klaus Detjen, Nora Krug
School: Muthesius Kunsthochschule Kiel
Principal Type: Egyptienne F

91 Student project
Design: Jackie Chen
San Francisco
Instructor: David Asari
School: California College of the Arts
Principal Type: HTF Knockout, Univers

92 Student project
Design: Marcus Hein
Frankfurt, Germany
Professor: Niklaus Troxler
School: Staatliche Akademie der Bildenden Künste Stuttgart
Principal Type: custom

93 Exhibition
Design: Li Jia, Qin Lang, Zhao Meng, Huang Mogiu, Zhan Ting, Hei Yiyang, Liu Zhao
Shenzhen, China
Art Direction: Hei Yiyang
Creative Direction: Hei Yiyang
Design Office: SenseTeam
Client: Shenzhen Graphic Design Association (SGDA), Loook
Principal Type: custom

94 Book
Design: Jihye Lee, Hyeyoung Yoon
Seoul
Art Direction: Hyun Cho
Creative Direction: Hyun Cho
Calligraphy: Jihye Lee
Planning Director: Soyoung Lee
Design Studio: S/O Project
Client: HyundaiCard
Principal Type: DTL Documenta, FF Tronic, Youandi

95 Exhibition
Design: Lizá Defossez Ramalho, Artur Rebelo
Porto, Portugal
Design Office: R2 Design
Client: Dr. José Eduardo Fernandes, Ermida Nossa Senhora da Conceição
Principal Type: HTF Knockout

96 Exhibition
Design: Kate Cudek, Mirella del Sorbo, Nathan Hawley, Ryan Hirliman
Buffalo
Creative Direction: Kevin D. Opp
Design Office: Cannon Design
Client: Ave Maria University
Principal Type: Neutraface

97 Map
Design: Christopher Cannon
Brooklyn, New York
Creative Direction: Ian White
San Francisco
Design Office: Isotope 221
Client: Urban Mapping, Inc.
Principal Type: Frutiger, Univers

98 Exhibition, booklet
Design: Job Wouters (aka Letman)
Amsterdam
Art Direction: Jessica Hoppe, Frederike Putz
Hamburg, Germany
Creative Direction: Johannes Plass
Lettering: Job Wouters (aka Letman)
Agency: Mutabor Design GmbH
Client: AUDI AG
Principal Type: handlettering

99 Student project
Design: Benjamin Kivikoski
Stuttgart, Germany
Professor: Gerwin Schmidt
School: Staatliche Akademie der Bildenden Künste Stuttgart
Principal Type: Blender

100 Book
Design: Serifcan Ozcan, Scott Stowell
New York
Studio: Open
Client: American Illustration American Photography
Principal Type: Quagmire, Akkurat

101 Poster
Design: Craig Ward
London
Design Office: Words are Pictures
Client: Buckinghamshire Chilterns University
Principal Type: Trade Gothic, Bodoni

102 Posters
Design: David Plunkert
Baltimore
Illustration: David Plunkert
Studio: Spur Design
Client: Baltimore Theatre Project
Principal Type: Baskerville, Bodoni, Franklin Gothic Extra Condensed

103 Poster
Design: Boris Schmelter
München, Germany
Design Office: xhoch4 | design plus culture
Client: Suxul Club
Principal Type: wooden matches

104 Student project
Design: Renata Graw
Chicago
Instructor: Jörg Becker
School: University of Illinois at Chicago
Principal Type: Nova Chicago, Swift

105 Student project
Design: Bronson Stamp, Helga Schmid
New York
Instructor: Allan Chochinov
School: School of Visual Arts, New York
Principal Type: ITC Baskerville

106 Student project
Design: Kil Jae Kim
New York
Instructor: Mike Joyce
School: School of Visual Arts, New York
Principal Type: Helvetica Neue

107 Student project
Design: Carolin Lintl, Katrin Koch
Stuttgart, Germany
Lettering: Peter Brugger, Anja Haas, Oliver Harvey, Katrin Hoch, Carolin Lintl, Carola Plappert, Till Schlevogt, Philipp Schmidt, Katja Schloz
Professor: Peter Brugger
School: Staatliche Akademie der Bildenden Künste Stuttgart
Principal Type: Bürokrat

108 Student project
Design: Livius Dietzel, Hannes von Döhren, Liangfang Xie
Berlin
Art Direction: Livius Dietzel
Creative Direction: Livius Dietzel
Professors: Fons Hickmann, Ulrich Schwarz, Uwe Vock
School: Universität der Künste Berlin
Principal Type: Livory

109 Student project
Design: Jiyeon Song
Buena Park, California
Instructors: Anne Burdick, Leah Hoffmitz, Lisa Nugent
School: Art Center College of Design
Principal Type: Jiyeon Song’s Dot Font

110 Student project
Design: Emerson Velazquez
Long Beach, California
Instructor: Clive Piercy
School: Art Center College of Design
Principal Type: Copal, Super Tibiri, Trade Gothic, Vitrina

111 Student project
Design: Jin Young Lee
New York
Instructor: Genevieve Williams
School: School of Visual Arts, New York
Principal Type: handLettering

112 Corporate identity
Design: Helge Rieder, Oliver Henn
Düsseldorf, Germany
Creative Direction: Helge Rieder
Design Office: 804© Graphic Design
Client: Helge Rieder, Ulrike Schmidt
Principal Type: Simple, Skolar

113 Student project
Design: Thomas Lehner, Julia Kaltenbach
Basel, Switzerland
Professor: Marion Fink
School: Hochschule für Gestaltung und Künst Basel
Client: Theatre Basel
Principal Type: Adobe Garamond, Brauer Basel

114 Corporate identity
Design: Toby Curnow, Clem Devine, Aaron Edwards, Dean Poole, Tony Proffit
Auckland, New Zealand
Art Direction: Clem Devine
Creative Direction: Dean Poole
Studio: Alt Group
Client: Hudson Gavin Martin
Principal Type: Helvetica Neue, Didot

115 Corporate identity
Design: Eric Cai Shi Wei
Beijing
Art Direction: Eric Cai Shi Wei
Creative Direction: Eric Cai Shi Wei
Writer: Esther Tan Yan
Design Office: ERIC CAI DESIGN CO.
Client: One Club China
Principal Type: Conduit

116 Corporate identity
Design: David Kimura, Gabriela Varela
Mexico City
Client: Esrawe Studio
Principal Type: Scala Sans, custom

117 Corporate identity
Design: Daniel Ayuso, Mirja Jacobs
Barcelona
Art Direction: Mirja Jacobs
Creative Direction: Daniel Ayuso
Design Office: cla-se
Client: Carlos Abellan
Principal Type: Caslon, GNine, New Baskerville, The Serif, Times

118 Corporate identity
Art Direction: Jonathan Herman
Creative Direction: Monique Gamache, Joe Hospodarec, Calgary, Canada
Printer: Signature Press
Agency: WAX
Client: Calgary International Film Festival
Principal Type: Business cards – Univers Condensed
Logo – Alternate Gothic, Franklin Gothic, Futura, Helvetica

119 Stationery
Design: Sébastien Bisson
Montréal
Art Direction: Sébastien Bisson
Creative Direction: Louis Gagnon
Design Office: Paprika
Client: Sam Communications
Principal Type: Foundry Gridnik, custom

120 Poster
Design: Daniella Boebel
Austin, Texas
Art Direction: DJ Stout
Design Office: Pentagram Design: Austin
Client: Dallas Society of Visual Communication

121 Poster
Design: Stefanie Schwarz
Stuttgart, Germany
Client: Fakultät für Gestaltung, Hochschule Pforzheim
Principal Type: HTF Gotham

122 Posters
Design: Wade Devers, Adam Ewing Hickman, Tim Mahoney
Boston
Art Direction: Tim Mahoney
Creative Direction: Wade Devers, Pete Favat, Wade Paschall
Lettering: Kevin Bradley
Yee Haw Industries
Knoxville, Tennessee
Agency: Arnold
Client: Jack Daniel’s
Principal Type: Fenway, Jasper, Lynchburg, Motlow, gothic woodtype

123 Poster
Art Direction: Hans Seeger
Wauwatosa, Wisconsin
Client: Wright
Principal Type: Wright Sans

124 Posters
Design: Craig Crutchfield, Ryan Rhodes
Austin, Texas
Creative Direction: David Kampa
Lettering: Craig Crutchfield
Ryan Rhodes
Design Office: Chaos Concept Manufacturing, a division of McGarrah Jessee
Client: Spoetzl Brewery, Shiner, Texas
Principal Type: handLettering

125 Poster
Design: Blake Wright
Dallas
Art Direction: Blake Wright
Creative Direction: Aaron Opsal
Lettering: John Hoang, Aaron Opsal, Amy Opsal, Blake Wright, Frances Yllana
Studio: The Brand Hatchery
Principal Type: custom (after Affair)

126 Posters
Design: Jason Little, Ivana Martinovic, Sam Pemberton, Joao Peres, Pan Yamboonruang
Sydney, Australia
Art Direction: Jason Little
Creative Direction: Jason Little, Mike Staniford
Lettering: Joao Peres
Agency: Landor Associates Sydney
Client: Australian Graphic Design Association (AGDA), Sydney Design ’08
Principal Type: HTF Gotham, HTF Knockout, ITC Officina Sans, handlettering

127 Poster
Design: Buck Smith
St. Louis
Creative Direction: Melinda Love
Client: American Institute of Graphic Arts (AIGA), St. Louis
Principal Type: Mesquite Std, Wide Latin, Wood Type Ornaments

128 Poster
Design: Barry Kalpinski
Madison, Wisconsin
Art Direction: Barry Kalpinski
Creative Direction: Peter Bell
Copywriter: Sandy Geer
Agency: Hiebing
Client: Madison Museum of Contemporary Art
Principal Type: Engravers

129 Corporate identity
Design: Michael Bierut
Joe Marianek
New York
Art Direction: Michael Bierut
Studio: Pentagram Design: New York
Client: Museum of Arts and Design (MAD)
Principal Type: Arnhem, Futura, MADface

130 Poster
Design: Fons Hickmann, Gesine Grotrian-Steinweg
Berlin
Art Direction: Fons Hickmann
Creative Direction: Markus Büsges
Lettering: Gesine Grotrian-Steinweg
Photography: Nina Lüth
Studio: Fons Hickmann m23
Client: Festival International de l’Affiche et des Arts Graphiques de Chaumont
Principal Type: m23_wall, handlettering

131 Corporate identity
Design: Patrick Bittner
Saarbrücken, Germany
Agency: Maksimovic & Partners
Principal Type: Univers

132 Posters
Design: Giorgio Pesce
Lausanne, Switzerland
Design Office: Atelier Poisson
Client: Geology Museum, Lausanne
Principal Type: Avenir, Esta

133 Posters
Design: Li Junrong, Hei Yiyang
Shenzhen, China
Design Office: SenseTeam
Client: Huasen Architectural & Engineering Designing Consultants Ltd.
Principal Type: custom

134 Posters
Design: Hei Yiyang
Shenzhen, China
Design Office: SenseTeam
Principal Type: custom

135 Poster
Design: Hei Yiyang, Wang Xiaomeng
Shenzhen, China
Design Office: SenseTeam
Client: SensePubli
Principal Type: custom

136 Posters
Design: Hei Yiyang, Wang Xiaomeng
Shenzhen, China
Design Office: SenseTeam
Client: SensePubli
Principal Type: custom

137 Posters
Design: Greg Samata
Dundee, Illinois
Art Direction: Greg Samata
Creative Direction: Greg Samata
Design Office: SamataMason
Client: Noisemaker Films
Principal Type: Folio BQ Condensed Bold Extra

138 Poster
Design: Michihito Sasaki
Osaka, Japan
Art Direction: Michihito Sasaki
Creative Direction: Michihito Sasaki
Lettering: Michihito Sasaki
Design Office: ADSEVEN CO., Ltd.
Client: Inter Medium Institute (IMI)
Principal Type: KozukaMincho-R, Univers Light

139 Poster
Design: Gail Anderson
New York
Art Direction: Michael J. Walsh
Creative Direction: Anthony P. Rhodes
Artist: Gail Anderson
Design Office: Visual Arts Press, Ltd.
Client: School of Visual Arts, New York
Principal Type: various wood type

140 Poster
Design: Hiroaki Nagai, Disuke Yajima
Tokyo
Art Direction: Hiroaki Nagai
Lettering: Hiroaki Nagai
Copywriter: Daisaku Fujiwara
Design Office: N.G. Inc.
Client: Utsubo Moon
Principal Type: Utsubo Moon Avant Garde

141 Poster
Design: Joe Shouldice, Richard The
New York
Creative Direction: Stefan Sagmeister
Lettering: Joe Shouldice
Photography: Tom Schierlitz Photography
Studio: Sagmeister, Inc.
Client: Levi Strauss & Co.
Principal Type: custom

142 Poster
Design: Hoon Kim
New York
Design Office: Why not smile
Client: BAF
Principal Type: Stempel Schneidler

143 Poster
Design: Imboden Melchior
Buochs, Switzerland
Client: Galerie Anatome, Paris
Principal Type: handLettering

144 Poster
Design: Hideki Nakajima
Tokyo
Art Direction: Hideki Nakajima
Visual Artist, Writer
Gustavo Alberto Garcia Vaca
Design Office: Nakajima Design Ltd.
Client: G/P Gallery
Principal Type: custom

145 Poster
Design: Paula Troxler
Zürich
Studio: Paula Troxler–Illustration & Graphic Design
Client: Integral
Principal Type: handwriting

146 Journal
Design: Katherine Hall, Ian Chong
Sydney, Australia
Art Direction: Katherine Hall
Creative Direction: James de Vries
Studio: de Luxe & Associates
Client: Monash University
Principal Type: FF Danubia, Farnham, The Sans, The Serif

147 Magazine
Design: Vicens Castelltort, Celine Robert
Barcelona
Art Direction: Oscar Aragón
Creative Direction: Ricardo Feriche
Studio: Feriche & Black Studio
Client: La Fábrica
Principal Type: Century, Century Remix, FF Gotham

148 Student project
Design: Markus Abts
Pulheim, Germany
Professor: Christopher Wiehl
School: IN.D Institute of Design Düsseldorf
Principal Type: handmade from tape and stencils

149 Posters
Design: Jeff Bucholtz, Will Ecke, Gaelyn Mangrum, Jason Schulte
San Francisco
Creative Direction: Jason Schulte
Lettering: Will Ecke (Feed Me poster)
Copywriter: Jill Robertson (Feel Better poster)
Design Office: Office: Jason Schulte Design, Inc.
Client: American Institute of Graphic Arts (AIGA)
Principal Type: Aurea Ultra Italic, AG Book Stencil, Colossalis Bold, Helvetica Bold, Kada, ITC Lubalin Graph, handlettering

150 Magazine cover
Design: Nancy Harris Rouemy
New York
Art Direction: Arem Duplessis
Creative Direction: Janet Froelich
Publication: The New York Times Magazine
Principal Type: custom

151 Business card
Design: Nigel Sielegar
Elmhurst, New York
Client: Sergii Boguslavskyi
Principal Type: Bell Gothic, custom

152 Logotype
Design: Max Spector
San Francisco
Art Direction: Joshua C. Chen, Laurie Carrigan
Creative Direction: Joshua C. Chen
Agency: Chen Design Associates
Client: Verve Coffee Roasters
Principal Type: Copperplate Gothic, custom

153 Logotype
Design: Louise Fili, Jessica Hische
New York
Creative Direction: Louise Fili
Lettering: Jessica Hische
Design Office: Louise Fili Ltd.
Client: Txikito
Principal Type: handlettering

154 Logotype
Design: Nils Jaedicke, Jenny Brouard
München, Germany
Art Direction: Elmar Holtkamp
Creative Direction: Frank Wagner
Film Production: Sascha Obermüller
Design Agency: häfelinger + wagner Design
Client: Dornier Stiftung für Luft–und Raumfahrt
Principal Type: Akkurat

155 Poster
Design: Julie Savasky
Austin, Texas
Art Direction: DJ Stout
Design Office: Pentagram Design: Austin
Principal Type: various

156 Magazine spread
Design: Thomas Alberty
New York
Design Direction: Fred Woodward
Publication: GQ
Principal Type: various

157 Magazine spread
Design: Dirk Barnett
New York
Creative Direction: Dirk Barnett
Publication: Blender magazine
Principal Type: Blender Display

158 Magazine spread
Design: Thomas Alberty
New York
Design Direction: Fred Woodward
Publication: GQ
Principal Type: various

159 Magazine spread
Design: Nathalie Kirsheh
New York
Design Direction: Edward Leida
Lettering: Nathalie Kirsheh
Publication: W magazine
Principal Type: handLettering

160 Exhibit
Design: Sébastien Bisson
Montréal
Art Direction: Sébastien Bisson
Creative Direction: Louis Gagnon
Design Office: Paprika
Client: Bibliotèque et Archives Nationales du Québec
Principal Type: Courrier

161 Poster
Design: Saskia Schmidt
Hamburg, Germany
Art Direction: Henning Otto
Creative Direction: Elisabeth Plass
Lettering: Elisabeth Plass
Design Office: Eiga Design
Principal Type: Avant Garde, handLettering

162 Corporate identity
Design: Mark Fox, Angie Wang
San Francisco
Lettering: Mark Fox
Studio: Design is Play
Client: One Catering
Principal Type: handLettering

163 Student project
Design: Nikolaos Skourtis
San Francisco
Instructor: David Asari
School: California College of the Arts
Principal Type: Bembo, FF Gotham

164 Student project
Design: Betsy P. Tsai
Pasadena, California
Instructor: Doyald Young
School: Art Center College of Design
Principal Type: handlettering

165 Student project
Design: Jason H. Wu
Pasadena, California
Instructor: Doyald Young
School: Art Center College of Design
Principal Type: handlettering

166 Student project
Design: Christian Jackmuth
Dormagen, Germany
Professor: Andrea Krause
School: IN.D Institute of Design Düsseldorf
Principal Type: Helsinki

167 T-shirts
Design: Anthony Donovan
Sydney, Australia
Creative Direction: Vince Frost
Lettering: Vince Frost
Design Office: Frost Design
Principal Type: handlettering

168 T-shirt
Design: David Croy
Los Angeles, California
Lettering: David Croy
Principal Type: handlettering

169 Calendar
Design: Katrin Adamaszek, Anja Hendel, Nicola Janssen, Saskia Schmidt, Hamburg, Germany
Art Direction: Henning Otto
Creative Direction: Elisabeth Plass
Lettering: Katrin Adamaszek, Anja Hendel, Nicola Janssen, Saskia Schmidt
Letterpress Printing: Max Sames
Design Office: Eiga Design
Principal Type: Helvetica

170 Book jacket
Design: Matt Dorfman
Brooklyn, New York
Art Direction: Jesse Marinoff Reyes
Creative Direction: Paul Buckley
New York
Lettering: Matt Dorfman
Studio: Metalmother
Client: Penguin
Principal Type: ITC Century, Opera House, Rockwell, Tempus Gothic, handLettering

171 Book
Design: Abbott Miller, John Kudos
New York
Art Direction: Abbott Miller
Studio: Pentagram Design: New York
Client: The Metropolitan Museum of Art
Principal Type: Teuton

172 Book
Design: Adam Brodsley, Iran Narges
San Francisco
Art Direction: Adam Brodsley
Creative Direction: Adam Brodsley, Eric Heiman
Design Office: Volume Inc.
Client: San Francisco Museum of Modern Art (SFMoMA)
Principal Type: FF Bau, Chapparral Pro

173 Corporate identity
Design: Monica Gautier, Anne Thomas
Montréal
Art Direction: Monica Gautier, Anne Thomas
Creative Direction: Anne Thomas
Lettering: Monica Gautier
Design Office: Thomasdesign+communication
Principal Type: FF DIN, Isocp3

174 Student project
Design: Julian Bittiner
New Haven, Connecticut
Instructor: Glen Cummings
School: Yale University School of Art
Principal Type: DTL Albertina, Zigzag

175 Student project
Design: Sang Hee Jin
New York
Instructor: Gunars Prande
School: School of Visual Arts, New York
Principal Type: Giza

176 Poster
Design: Anders Bergesen, Julia Ochsenhirt, Julia Worbs
Stuttgart, Germany
Art Direction: Anders Bergesen
Creative Direction: Kirsten Dietz, Jochen Raedeker
Design Agency: Strichpunkt GmbH
Client: Art Directors Club Deutschland
Principal Type: custom, handlettering

177 Poster
Design: Brady Vest
Kansas City, Missouri
Studio: Hammerpress
Client: Mammoth Productions
Principal Type: Harlequin, custom

178 Book jacket
Design: Barbara deWilde
Montclair, New Jersey
Art Direction: Carol Devine Carson
New York
Lettering: Barbara deWilde
Design Office: Barbara deWilde Design: Publisher
Alfred A. Knopf, Inc.
Principal Type: Bodoni Classic Chancery

179 Packaging
Design: Stéphane Monnet
Toronto
Art Direction: Diti Katona, John Pylypczak
Design Office: Concrete Design Communications Inc.
Client: Perricone MD
Principal Type: Miller, HTF Gotham

180 Book
Design: Elena Carl, Sabine Schmid, Lutz Widmaier
München
Art Direction: Sabine Schmid, Lutz Widmaier
Creative Direction: Sabine Schmid, Lutz Widmaier
Illustration: Christoph Niemann
New York
Design Office: Schmid+Widmaier Design
Client: Armin Armin Abmeier/Büchergilde Gutenberg

181 Book
Design Office: TGG Hafen Senn Stieger
Client: Typotron
Principal Type: Collis

182 Bookmarks
Design: Isabel Bach, Patrick Bittner, Martin Kalle, Ivica Maksimovic, Germaine Paulus, Sabine Wilhelm
Saarbrücken, Germany
Creative Direction: Patrick Bittner
Agency: Maksimovic & Partners
Principal Type: Battista, Neue Steinschrift

183 Brochures
Design: Nanni Goebel
Kathrin Roussel
Düsseldorf, Germany
Creative Direction: Nanni Goebel
Christopher Wiehl
Studio: Paarpiloten
Client: The Slade School of Fine Art, London
Principal Type: Gothic 720, Plantin

184 Invitations
Design: Max Spector
San Francisco
Art Direction: Joshua C. Chen
Creative Direction: Joshua C. Chen
Agency: Chen Design Associates
Client: Stanford University
Principal Type: ITC Century, HTF Gotham, Zebrawood

185 Student project
Design: Tyrone Ohia
Wellington, New Zealand
Instructor: Joanne Giddens
School: Whanganui School of Design
Principal Type: ITC Bookman

186 Student project
Design: Jin Young Lee
New York
Instructors: Armin Vit
Bryony Gomez-Palacio
School: School of Visual Arts, New York
Principal Type: HTF Gotham

187 Student project
Design: Vivien Anders, Eike Harder, Arto Vaverka
Bremen, Germany
Professors: Andrea Rauschenbusch
Mario Lombardo
School: Hochschule für Künste Bremen
Principal Type: FF Zine Sans, FF Zine Serif

188 Posters
Design: Hiroaki Nagai, Masanori Nakai, Kaoru Takahashi
Tokyo
Art Direction: Hiroaki Nagai
Photography: Katsuhiro Ichikawa
Illustration: Ushijima Ko
Ishikawa, Japan
Design Office: N.G. Inc.
Client: Toppan Printing Co., Ltd.
Principal Type: custom, handlettering

189 Poster
Design: Niklaus Troxler
Willisau, Switzerland
Design Office: Niklaus Troxler Design
Client: Jazz in Willisau
Principal Type: Glaser Stencil

190 Book jacket
Design: Hajime Kabutoya
Tokyo
Art Direction: Hajime Kabutoya
Editors: Yasuko Kuno, Kaori Saito
Design Office: Happy and Happy, Inc.
Client: PIE BOOKS
Principal Type: custom

191 Annual report
Design: Bernd Vollmöller
Frankfurt am Main, Germany
Art Direction: Bernd Vollmöller
Creative Direction: Bernd Vollmöller
Design Office: Simon & Goetz Design GmbH & Co. KG
Client: Sal. Oppenheim jr. & Cie
Principal Type: Adobe Garamond Pro, Akzidenz Grotesk

192 Poster
Design: Niklaus Troxler
Willisau, Switzerland
Lettering: Niklaus Troxler
Design Office: Niklaus Troxler Design
Client: Jazz in Willisau
Principal Type: custom

193 Corporate identity
Design: Quan Payne
Sydney, Australia
Creative Direction: Vince Frost
Design Office: Frost Design
Client: Helen Ellery
Principal Type: Avant Garde

194 Logotype
Design: Travis Brown
St. Louis
Creative Direction: Eric Thoelke
Lettering: Travis Brown
Design Office: TOKY Branding + Design
Principal Type: handLettering, 195 Poster

195 Poster
Design: Nick Schmitz
Brooklyn, New York
Studio: 00one
Principal Type: custom

196 Poster
Design: Jordan Smith, Colin Corcoran
Minneapolis
Art Direction: Jordan Smith, Colin Corcoran
Creative Direction: Colin Corcoran
Copywriter: Joe Beutel
San Diego
Printer: Franklin Press
Plymouth, Minnesota
Agency: The Blueberry Palace
Client: Mad Rollin’ Dolls Rollergirls
Principal Type: Univers
Barbed & Dangerous

197 Poster
Design: Niklaus Troxler
Willisau, Switzerland
Lettering: Niklaus Troxler
Design Office: Niklaus Troxler Design
Client: Jazz in Willisau
Principal Type: handmade with tape

198 Poster
Design: Stefan Guzy, Björn Wiede
Berlin
Lettering: Stefan Guzy
Björn Wiede
Design Office: Zwölf Medien
Client: 2fortheroad Booking Agency
Principal Type: custom

199 Exhibition
Design: Yann-Pablo Corminboef, Abbott Miller, Kristen Spilman
New York
Art Direction: Abbott Miller
Studio: Pentagram Design: New York
Client: The Moravian Gallery
Principal Type: Helvetica, Proxima, custom

200 Poster
Design: Nicolas Haeberli, Aline Telek, Zürich
Creative Direction: Nicolas Haeberli
Studio: Büro Haeberli
Client: Amt für Ideen, Zürich
Principal Type: Clarendon, Blender

201 Poster
Design: Julie Brassard
Richard Bélanger
Montréal
Art Direction: Julie Brassard
Richard Bélanger
Creative Direction: Barbara Jacques
Producer: Claude Tardif
Production Artist
Daniel Cartier
Design Office: Identica Branding & Design: Client: Enablis
Principal Type: HTF Gotham, Omnes

202 Advertisement
Design: Why Not Associates
London
Art Direction: Jim de Zoete, Anton Ezer
Red Bee Media
Why Not Associates
Creative Direction: Red Bee Media
Ruth Shabi
Why Not Associates
Illustration: Paul Davis, David Foldvari, Billie Jean
Why Not Associates
Production Company: Great Guns
Executive Producer: Justin Cernis
Creative Head: Sally Bowness
Red Bee Media
Agencies: Great Guns, Red Bee Media, Why Not Associates
Client: BBC MCEA Journalism
Principal Type: Aachen, custom

203 Promotion
Design: Stephen Doyle
Jason Mannix
New York
Creative Direction: Stephen Doyle
Lettering: Stephen Doyle
Design Office: Doyle Partners
Principal Type: handLettering

204 Advertisement
Art Direction: Grant Simpson
Chicago, Illinois
Chief Creative Officer: Ken Erke
Group Creative Director: Chris Hunter
Lettering: Pistachios
Writer: Will Bright
Executive Agency Producer: Brian Smego
Agency Producer: Addie Pampalone
Agency: Y & R Chicago
Client: Sears
Principal Type: handLettering

205 Student project
Design: Matthew Heckart
Brooklyn, New York
Instructor: Gail Anderson
School: School of Visual Arts, MFA program, New York
Principal Type: Caslon, DueresMinusKeln, Giddyup, HTF Gotham, Perisphere

206 Show opener
Design: Scott Matz, Justin Meredith
New York
Creative Direction: Scott Matz, Justin Meredith
Executive Producer: Elizabeth Kiehner
Producer: Kimberly Abels
VFX Supervisor/3D Lead: Linas Jodwalis
Lead Compositer: Jeremiah Morehead
Design Office: Thornberg & Forester
Client: Association of Independent Commercial Producers (AICP)
Principal Type: Helvetica

207 Opening sequence
Design: Stina Carlberg
Christian Rüegg
New York
Creative Direction: Jakob Trollbäck
Studio: Trollbäck + Company
Client: The Pop!Tech Institute
Principal Type: Helvetica Neue

208 Television titles
Design: Rama Allen
New York
Ryan Gagnier, Matthew Mulder
Seattle, Washington
Camm Rowland
Chicago
Creative Direction: Matthew Mulder
Executive Creative Direction: Paul Mattheaus
Executive Producer/ Head of Creative: Mark Bashore
Producer: Morgan Henry
Editor: Shawn Fedorchuck
Studio: DIGITALKITCHEN
Client: HBO
Fangbanger Productions
Principal Type: True Blade, True Gothic

209 Website
Design: Will Miller
Chicago
Creative Direction: Dawn Hancock
Developer: Keith Norman
Design Office: Firebelly Design
Client: The Queerist
Principal Type: Avenir, Franklin Gothic, Trade Gothic, custom

210 Holiday video greeting
Creative Direction: Scott Valins
New York
Producer: Michele Watkins
Design Office: Valins & Co.
Principal Type: Avant Garde Bold

211 Student project
Design: Matt Luckhurst
New York
Instructor: Gail Anderson
School: School of Visual Arts, MFAD program, New York
Principal Type: handlettering

212 Student project
Design: Jacqueline Lay
New York
Instructor: Gail Anderson
School: School of Visual Arts, MFA program, New York
Principal Type: handLettering

213 Student project
Design: Yeju Choi
New Haven, Connecticut
Instructor: Alan Hori
School: Yale School of Art
Principal Type: Didot

214 Student project
Design: Martin Sperling
Berlin
Professors: Tom Duscher, Petra Maria Meyer
School: Muthesius Kunsthochschule Kiel
Principal Type: AG Buch Extended, Adobe Garamond Pro, DTL Argo

215 Website
Design: Christian Croft, Takaaki Okada, Christian Marc Schmidt, Lisa Strausfeld, Christian Swinehart
New York
Creative Direction: Lisa Strausfeld
Developers: Christian Swinehart, Christian Croft
Studio: Pentagram Design
New York
Client: Diller Scofidio + Renfro
Principal Type: AF Carplates, Foundry Gridnik