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DTSTART;TZID=America/New_York:20191024T110000
DTEND;TZID=America/New_York:20200111T160000
DTSTAMP:20260618T135257
CREATED:20191024T040000Z
LAST-MODIFIED:20191024T040000Z
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SUMMARY:TDC64 Exhibition at University of Bridgeport
DESCRIPTION:Every year\, the SASD Graphic Design department brings to the Schelfhaudt Gallery an extraordinary display of communication design\, typography\, and type design. This year is new and different in the best ways — new works by world-class graphic designers\, new works by new practitioners of design working in posters\, books\, identities\, interactive\, environmental\, editorial\, and work by graphic design students.  \nThe Schelfhaudt Gallery is open to the public Tuesday–Friday from 11am to 4pm\, and on Saturday from noon to 4pm. The TDC64 exhibition will be on view until January 11\, but visitors are advised to call ahead to make arrangements to see the exhibition on weekends and during the school's annual winter break (Friday\, December 12\, 2019 through Saturday\, January 11\, 2020). \nThis TDC64 exhibition opens in Bridgeport\, Connecticut following the exhibition’s tour to Tokyo\, Seoul\, Warsaw\, New York\, Antwerp\, Ontario\, Saigon\, Auckland and several cities in Spain\, including Barcelona\, Sabadell\, Soria\,and Madrid. TDC64 is finishing its tour at the University of Bridgeport\, where the works become part of the SASD GD Archives. \nThe exhibition displays typography in a wide range of categories including books\, posters\, magazines\, fanzines\, multimedia applications\, and animation pieces from many countries including the United States\, France\, Germany\, Spain\, the Netherlands\, the United Kingdom\, the People’s Republic of China\, South Korea\, and others. \nExhibition visitors can read about the book that received the Best in Show award here\, and the award-winning student work here. \n\nThe exhibition features eighteen typeface design winners selected from over 225 entries from 39 countries. Review the list of award-winning typeface designs from 2018 here\, and read more about these Judges’ Choices: \n\n\nCybu Richli's Russian Revolution poster selected by Nicholas Blechman\nIBM Plex selected by Verena Gerlach\nPosters created by Burrow\, Berlin for an exhibition on movement\, selected by Mike Essl\nMirza typeface design by Amir Mahdi Moslehi selected by Sahar Afshar\nA Shakespeare/hip-hop play by Barcelona’s İdil Gücüyener and Anna Kabanina\, selected by Jon Key\nAn innovative book designed by XXL Studio in Beijing\, selected by Bryony Gomez-Palacio\nAn open-source CJK typeface\, designed by an international team for Google and Adobe\, selected by YuJune Park\nA Global Alphabet book by Yuliana Gorkorov\, selected by Natasha Jen\nThe typeface specimen created by The New York Times Magazine team for last year’s TDC exhibition\, selected by Gemma O’Brien\nLamon typeface by Ditry Lamonov for Art.Lebedev Studio\, selected by Dyana Weissman\nThe "She Said" cover of The New York Times Magazine\, selected by Susan Sellers\n\n 
URL:https://tdc.org/event/tdc64-exhibition-at-university-of-bridgeport/
LOCATION:University of Bridgeport\, Shintaro Akatsu School of Design\,  Schelfhaudt Gallery\, Arnold Bernhard Center\,\, 84 Iranistan Avenue\, Bridgeport\, CT\, 06604\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/TDC64-at-Bridgeport_Banner.jpg
ORGANIZER;CN="University of Bridgeport%2C Shintaro Akatsu School of Design (SASD)":MAILTO:gmunch@bridgeport.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20191115T090000
DTEND;TZID=Europe/Madrid:20191222T210000
DTSTAMP:20260618T135257
CREATED:20191114T050000Z
LAST-MODIFIED:20191114T050000Z
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SUMMARY:TDC64 Exhibition in Santander\, Spain
DESCRIPTION:TDC64 is on display at the Cantabria Central Library as the kick-off to the region’s fourth annual TIPOS graphic design competition\, which takes place later this year.  This free exhibition has previously toured to Tokyo\, Seoul\, Warsaw\, New York\, Antwerp\, Ontario\, Saigon\, and Auckland. TDC64's tour through Spain has included Barcelona\, Sabadell\, Soria\, Madrid\, and Amilla\, Granada. \nAs part of TIPOS\, this show is sponsored by the Government of Cantabria and the Santander Creative Foundation\, the cultural foundation formed by the Santander Council\, Cantabria Government\, Fundación Botin\, Banco Santander\, Cantabria University and Menéndez Pelayo International University to promote cultural activity. \nThe exhibition displays typography in a wide range of categories including books\, posters\, magazines\, fanzines\, multimedia applications\, and animation pieces from many countries including the United States\, France\, Germany\, Spain\, the Netherlands\, the United Kingdom\, the People’s Republic of China\, South Korea\, and others. \nExhibition visitors can read about the book that received the Best in Show award here\, and the award-winning student work here. \n\nThe exhibition features eighteen typeface design winners selected from over 225 entries from 39 countries. Review the list of award-winning typeface designs from 2018 here\, and read more about these Judges’ Choices: \n\n\nCybu Richli's Russian Revolution poster selected by Nicholas Blechman\nIBM Plex selected by Verena Gerlach\nPosters created by Burrow\, Berlin for an exhibition on movement\, selected by Mike Essl\nMirza typeface design by Amir Mahdi Moslehi selected by Sahar Afshar\nA Shakespeare/hip-hop play by Barcelona’s İdil Gücüyener and Anna Kabanina\, selected by Jon Key\nAn innovative book designed by XXL Studio in Beijing\, selected by Bryony Gomez-Palacio\nAn open-source CJK typeface\, designed by an international team for Google and Adobe\, selected by YuJune Park\nA Global Alphabet book by Yuliana Gorkorov\, selected by Natasha Jen\nThe typeface specimen created by The New York Times Magazine team for last year’s TDC exhibition\, selected by Gemma O’Brien\nLamon typeface by Ditry Lamonov for Art.Lebedev Studio\, selected by Dyana Weissman\nThe "She Said" cover of The New York Times Magazine\, selected by Susan Sellers\n\nGallery hours at the Library:\nMon-Fri from 9 AM – 9 PM\nSaturday-Sunday from 11 AM – 8 PM
URL:https://tdc.org/event/tdc64-exhibition-in-santander-spain/
LOCATION:Cantabria Central Library\, C/ Ruiz de Alda nº 19\, Santander\, Cantabria\, 39009\, Spain
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/TDC64-in-Santander_Banner.jpg
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DTSTART;TZID=America/New_York:20191115T090000
DTEND;TZID=America/New_York:20200130T160000
DTSTAMP:20260618T135257
CREATED:20191115T050000Z
LAST-MODIFIED:20191115T050000Z
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SUMMARY:Dichotomies Exhibition
DESCRIPTION:Resilience\, harmony\, and progress are concepts that Adi Stern uses to describe his dual script family\, Noam Text. The exhibition features posters by fourteen designers and illustrators that use Noam Text\, a Hebrew font that builds on its heritage with the twin tools of honor and progress and a type family that enables the interweaving of an English word or sentence amidst Hebrew text\, without any disruption — fluently\, calmly. \nThe exhibition is free and open to the public Monday to Friday\, 9 am to 4 pm by appointment only.  \nCall 212-633-8943 or email director@tdc.org for an appointment. \nThe exhibition is on view through January 30. See photos of the exhibition here.  \nNoam Text is available from TypeTogether. \n 
URL:https://tdc.org/event/dichotomies-exhibition/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:NYC Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/2019_TT_dichotomies_2600-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191121T183000
DTEND;TZID=America/New_York:20191121T203000
DTSTAMP:20260618T135257
CREATED:20191022T040000Z
LAST-MODIFIED:20191022T040000Z
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SUMMARY:Type x Graphic Design: Global Typography
DESCRIPTION:Digital communication allows us to reach beyond geographic and typographical barriers. What does it mean to practice design and typography when nationalities\, languages\, and scripts are in constant interaction? This panel discussion brings together designers whose work stretches beyond Latin typography to share their perspectives on designing for a global world. \nGlobal Typography is the second in a three-part Type x Graphic Design series on global typography and design by AIGA NY and the TDC. \nType designer Ksenya Samarskaya (Samarskaya & Partners) with moderate a panel that includes Wael Morcos (Morcos Key)\, Chris Wu (Wkshps)\, and Caspar Lam & YuJune Park (Synoptic Office) to discuss the global aspects of typography. The discussion will cover a range of questions\, including: \n\nHow do these projects begin?\nWhy is this work important?\nHow do you respectfully design as a non-native reader?\nHow do you harmonize between scripts that have different cultural/visual history?\n\nEach panelist will have 15 minutes to present their work followed by a 30-minute moderated discussion. \nEvent Series: Fresh Dialogue\nType x Graphic Design: Global Typography is part of the Fresh Dialogue event series. These events are critical discussions that focus on current events\, issues of cultural relevance and emerging topics in the world of design. \nPanel Moderator\nKsenya Samarskaya is a creative practitioner and type designer\, following her fascination with the nuances inherent in our visual and literary culture. Samarskaya has judged competitions for Communication Arts\, TISDC\, TDC\, and the SoTA Catalyst Award\, and served on the board of AIGA NY. She’s developed curriculum and teaches at Harbour.Space University in Barcelona\, as well as fielding courses at The University of the Arts in Philadelphia and The School of Visual Arts in NYC. Recent areas of investigation include type in extended reality\, and best pedagogical practices for creativity. \nSpeakers\nWael Morcos is a graphic designer and type designer from Beirut\, Lebanon. Upon receiving his BA in Graphic Design from Notre Dame University (Lebanon)\, he spent three years developing identities and Arabic-Latin bilingual typefaces\, in addition to working in print and exhibition design. Wael received his MFA from RISD in 2013\, after which he moved to New York and worked with several studios in the city before founding Morcos Key. Wael has been featured in Print Magazine’s 15 under 30\, was named a Young Gun by the Art Directors Club and an Ascender by the Type Directors Club. \nChris Wu is a designer and creative director based in New York. He is a partner of the multidisciplinary design practice Wkshps. Previously\, he was a principal of the design studio Project Projects\, winner of the Cooper Hewitt’s National Design Award. Chris has collaborated with clients such as the Guggenheim Museum\, M+ Museum\, David Zwirner\, New Museum\, Para Site (Hong Kong)\, The Met\, James Cohan\, MoMA\, Albright-Knox Art Gallery\, SculptureCenter\, Asia Art Archive\, Modern Media Group (Shanghai)\, The Vera List Center for Arts and Politics\, among others. Chris received his Master’s degree in Communications Design at Pratt Institute. \n\nYuJune Park is the co-founder of Synoptic Office and the Associate Director of Communication Design at Parsons School of Design. She served as the Program Director from 2014–2017. Her work has been recognized by the AIGA\, the I.D. Annual Design Review\, and the Art Director’s Club Awards. She holds an MFA in Graphic Design from Yale University and a BFA in Furniture Design from the Rhode Island School of Design. YuJune has worked for and collaborated with several studios including Base Design\, Graphic Thought Facility\, and Rockwell Lab for a variety of clients including the Museum of Modern Art\, Milk Studios\, the Davis Museum\, and the Metropolitan Museum of Art. In addition to teaching\, YuJune speaks widely on design education and typography\, most recently at Typographics\, Northside Festival\, and AIGA NY. \nSynoptic Office was founded by Caspar Lam and YuJune Park. It is a multidisciplinary design studio operating in the space between design\, technology\, and education. The studio’s work has been exhibited internationally and recognized by Fast Company Design\, iDn\, Neshan\, Etapes\, and It’s Nice That. Synoptic Office was selected to participate in BIO23\, the 23rd Biennial of Design at the Museum of Architecture and Design in Ljubljana\, Slovenia and has exhibited at the Ningbo Museum of Art in China and the 26th International Biennial of Graphic Design in Brno. \nCaspar Lam\, the co-founder of Synoptic Office\,  holds an MFA from Yale and degrees in biology and design from the University of Texas at Austin. His work with cultural and fashion clients includes the Guggenheim Museum\, Ohne Titel\, and Vogue China. Adobe\, AIGA\, and ID Design Review have recognized his work. Previously\, Caspar led design and digital strategy for Artstor\, an Andre Mellon Foundation-funded non-profit to develop digital products related to metadata and publishing for institutions such asHarvard\, Cornell\, and the Philadelphia Museum of Art. He has been a visiting critic at the Hong Kong Design Institute and served as an Adjunct Associate Research Scholar at Columbia University’s GSAPP. Caspar regularly writes and speaks about design\, most recently at Typographics and the TDC. He is currently an Assistant Professor of Communication Design at Parsons School of Design. \n\nEvent graphics designed by Beatriz Lozano
URL:https://tdc.org/event/type-x-graphic-design-global-typography/
LOCATION:Alvin Johnson/J.M. Kaplan Hall\, Parsons School of Design at The New School\, 66 West 12th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Special Events
ATTACH;FMTTYPE=image/gif:https://tdc.org/wp-content/uploads/2025/01/1280x1280_Global-Typography.gif
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