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DTSTART;TZID=America/New_York:20200507T130000
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DTSTAMP:20260603T214239
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LAST-MODIFIED:20250113T081245Z
UID:6662-1588856400-1588860000@tdc.org
SUMMARY:Erik Spiekermann: p98a
DESCRIPTION:To kick off our virtual salon series\, everyone is invited to join us via Zoom webinar as longtime member\, TDC Medalist\, and former board member\, Erik Spiekermann gives us a tour of p98a\, his gallery and experimental letterpress workshop in Berlin.  \nRegistration for this special event is free to everyone\, on a first-come\, first-served basis.  Click on the registration link to register for this live Zoom webinar. We suggest downloading the Zoom software prior to the start of this event.  We will send you event reminders\, but we advise everyone to connect a few minutes prior to the start. The event waiting room will be open 10 minutes ahead of time. \nThe start time for the live event is:\n10:00am LA/SF/Seattle (PST)\n1:00pm New York (EST)\n6:00pm London (BST)\n7:00pm Berlin/Europe (CEST)\n9:00pm Dubai (GST)\n1:00am Seoul/Manila\n2:00am Tokyo\n5:00am Auckland \nErik and Lilith printing the “Orbit” poster for a client at galerie p98a \nErik Spiekermann is an information architect\, type designer\, and author of books and articles on type and typography. Two of his typefaces\, FF Meta and ITC Officina\, are considered to be modern classics. In 1979\, he founded MetaDesign and in 1989\, FontShop. He is behind the design of well-know brands such as Audi\, Bosch\, VW\, German Railways and Heidelberg Printing\, among others; information systems for Berlin Transit and Düsseldorf Airport and for publications like The Economist. The family of typefaces he designed with Christian Schwartz for DB German Railways won the Gold Medal in the German Design Awards 2007. \nErik is Honorary Professor at the University of the Arts in Bremen and in 2003 received the Gerrit Noordzij Award from the Royal Academy in The Hague. In 2006\, he was awarded an honorary doctorship from Pasadena Art Center. He was made an Honorary Royal Designer for Industry by the RSA in Britain in 2007 and Ambassador for the European Year of Creativity and Innovation by the European Union for 2009. \nIn addition to receiving the TDC Medal in 2011\, Erik received the German National Design Award for Lifetime Achievement and a Lifetime Award from the German Art Directors Club. He was managing partner and creative director of Edenspiekermann with offices in Berlin\, Amsterdam\, San Francisco and Los Angeles until June 2014 when he moved from that position to the supervisory board. He now runs galerie p98a\, an experimental letterpress workshop in Berlin.  \nErik spoke about his career at the Type Directors Club 2017 conference\, Type Over Time. See the video here.
URL:https://tdc.org/event/erik-spiekermann-p98a/
LOCATION:Zoom webinar\, Hosted by Type Directors Club\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/p98a_workshop_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200312T183000
DTEND;TZID=America/New_York:20200312T203000
DTSTAMP:20260603T214239
CREATED:20191119T050000Z
LAST-MODIFIED:20191119T050000Z
UID:6623-1584037800-1584045000@tdc.org
SUMMARY:Postponed - Elliot Jay Stocks: The (Really) New Typography
DESCRIPTION:Screen-based design has grown up\, but there's still so much to keep up with. Best practices for font loading. Licensing fonts for apps. OpenType Variable Fonts. The myriad of places to find new fonts. Elliot will take you on a tour through the latest technological developments and help you stay on top of your type game. \nElliot Jay Stocks is a designer and musician\, currently serving as the Creative Director of Maido. He was previously the co-founder of the lifestyle magazine Lagom\, and is known in typographic circles thanks to his time as Creative Director of Adobe Typekit and founder of typography magazine 8 Faces. \nRead our interview with Elliot here. \nWebsite — https://elliotjaystocks.com/\nInstagram — @elliotjaystocks\nTwitter — @elliotjaystocks
URL:https://tdc.org/event/elliot-jay-stocks-the-really-new-typography/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/https___cdn.evbuc_.com_images_80722815_12326798777_1_original.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200310T183000
DTEND;TZID=America/New_York:20200310T203000
DTSTAMP:20260603T214239
CREATED:20200127T050000Z
LAST-MODIFIED:20200127T050000Z
UID:6639-1583865000-1583872200@tdc.org
SUMMARY:Postponed - With a Cast of Colored Stars - A Talk with Kelly Walters
DESCRIPTION:In design\, visual expression is informed by an understanding of history\, language\, symbols\, patterns and image aesthetics. It is imperative that designers have a strong foundation in these areas in order to support the creation of culturally conscious work. Despite this awareness\, there remain gaps in design history that neglect showing a broad spectrum of visual languages from the past and excludes discussions on how design has been complicit in forming and reinforcing racism. \nThrough historical archival research and the act of experimental printmaking\, my research aims to highlight the linguistic phrases used in promotional Black film posters during the Jim Crow through Blaxploitation eras. By extracting typographic elements such as “an all colored cast” or “with a cast of colored stars\,” Kelly Walters is able to closely examine examples of segregation while also re-contextualizing them for new alternative platforms. In looking closely at typographic details\, language\, and gestures\, identifiable patterns emerge pointing to shifts in communication styles and cultural representation in this area of poster design. \nAbout Kelly Walters\nKelly Walters is a designer and educator whose work investigates the intersection of black cultural vernacular in mainstream media. Her research practice is deeply intertwined with the molding and shaping of cultural identity\, and an investment in making visible historical visual expressions that reclaim a Black voice within the field of graphic design. In her independent design studio Bright Polka Dot\, she produces print and digital ephemera for publications\, exhibitions and social campaigns. She currently is an Assistant Professor of Communication Design at Parsons School of Design at The New School in New York. \nWebsite: https://brightpolkadot.com/ \nInstagram: @brightpolkadot
URL:https://tdc.org/event/with-a-cast-of-colored-stars-a-talk-with-kelly-walters/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/KellyWalters-Eventbrite-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200205T183000
DTEND;TZID=America/New_York:20200205T203000
DTSTAMP:20260603T214239
CREATED:20200123T050000Z
LAST-MODIFIED:20250113T081234Z
UID:6637-1580927400-1580934600@tdc.org
SUMMARY:She Designs Books Celebrates Two Years
DESCRIPTION:She Designs Books will be celebrating two years of recognizing women designers working in book publishing with a design panel and exhibition at Type Directors Club. \nArt directors and book cover designers\, Catherine Casalino\, Cassie Gonzales\, and Julianna Lee will present their book covers\, discuss their design process\, and discuss how designers navigate the cover-approval process. \nThe She Designs Books exhibition\, on view through March\, features posters of the best-loved covers featured on the She Designs Books Instagram feed over the last two years. \nThe Speakers:\nCatherine Casalino is the principal and creative director of Casalino Design Inc\, an independent design company in New York City focusing on print\, book design\, and branding. Casalino Design Inc’s clients include Penguin Random House\, A+E Networks\, Simon & Schuster\, IBM\, W. W. Norton\, HarperCollins\, Hachette Book Group\, Epic Media\, and The New York Times. Catherine has worked in-house at Grand Central Publishing\, Random House\, and Simon & Schuster as an art director and designer\, and she began her career at Rodrigo Corral Design. \nCassie Gonzales is an Associate Designer at Farrar\, Straus\, and Giroux Books for Young Readers and Roaring Brook Press at Macmillan Children’s\, designing middle grade and young adult novels (with the occasional picture book thrown in). Prior to her time at Macmillan\, she worked at Little Brown Books for Young Readers\, and held internships at HarperCollins\, Penguin Random House\, and Macmillan in both adult and children’s design departments. She is a semi-recent graduate of Pratt Institute with a BFA in Graphic Design\, a regular at the Type Directors Club Type Thursdays\, and was a judge for the New York Book Show in children's book design last year. \nJulianna Lee is currently Art Director at Little\, Brown and Company\, where she has worked for 15 years. She graduated from Barnard College with a Sociology major and also enrolled in Parsons School of Design AAS program. Her work has been recognized by the AIGA 50/50 Books and Print Design. \nAbout She Designs Books\nShe Designs Books was founded by Nicole Caputo and Anne Twomey in January 2018 and has over 7\,000 followers on Instagram. Follow them! \nInstagram: @shedesignsbooks\nTwitter: @shedesignsbooks\nFacebook: @shedesignsbooks \nSponsor:\n \n
URL:https://tdc.org/event/she-designs-books-celebrates-two-years/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/TDCWebsite_2160x1080-18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191204T183000
DTEND;TZID=America/New_York:20191204T203000
DTSTAMP:20260603T214239
CREATED:20191028T040000Z
LAST-MODIFIED:20191028T040000Z
UID:6618-1575484200-1575491400@tdc.org
SUMMARY:Hyperlegible: Challenging Assumptions About Legibility and Accessibility
DESCRIPTION:Development of this typeface was part of a larger project taken on by Applied Design – a rigorous research-based evaluation of the Braille Institute name and brand equity\, developing a brand positioning to capture the vision and direction of the organization\, and creating a new visual identity to connect the institute with a diverse\, expanding audience. \nApplied Design's singular mission is to create work that has an impact. Founded in 2015\, Applied Design specializes in design\, planning\, strategy\, and implementation for a broad range of mission-driven organizations. \nThis salon feature the creative leaders of Applied Design\, who will discuss the ten things that drove the creation of Atkinson Hyperlegible: \n\nCraig Dobie\, Founding Creative Director\nBrad Scott\, Founding Managing Director\nElliott Scott\, Creative Director\n\nApplied Design has offices in New York and Los Angeles. \nInstagram: @helloapplied
URL:https://tdc.org/event/hyperlegible-challenging-assumptions-about-legibility-and-accessibility/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Hyperlegible_Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191119T183000
DTEND;TZID=America/New_York:20191119T203000
DTSTAMP:20260603T214239
CREATED:20191003T040000Z
LAST-MODIFIED:20191003T040000Z
UID:6604-1574188200-1574195400@tdc.org
SUMMARY:Inserting Myself into the Conversation with Ryan Carl
DESCRIPTION:After years of focusing almost exclusively on client work\, Ryan began creating self-initiated type\, art and design projects. He will discuss his background and process\, and walk through his conceptually-driven work that explores themes of identity and being\, hope and togetherness. Ryan enjoys the challenge of evoking thought and feeling from concepts heavily rooted in simplicity and clarity. \nRyan Carl is a multidisciplinary designer who has collaborated on projects with Nike\, Google\, J.Crew\, Warby Parker\, MoMA and others. He is currently VP of Design at Boxed.com. Ryan received a Master’s degree in Religion from University of Oxford\, before becoming a self-taught designer and running his own studio. His academic background has helped form his design process of radical simplicity and his ideals of designing with purpose and meaning. \nFollow Ryan on Instagram: @ryancarlstudio
URL:https://tdc.org/event/inserting-myself-into-the-conversation-with-ryan-carl/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/inserting_1200x600.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T183000
DTEND;TZID=America/New_York:20191114T203000
DTSTAMP:20260603T214239
CREATED:20190824T040000Z
LAST-MODIFIED:20190824T040000Z
UID:6592-1573756200-1573763400@tdc.org
SUMMARY:Adi Stern & Veronika Burian: “Harmony and Converse: The Story of Noam Text ”
DESCRIPTION:Everyone is invited to the winter TDC exhibition opening for Dichotomies\, which features posters by 14 designers and illustrators and will be on view at the club through January 30. \nJoin us to welcome type designers Adi Stern and Veronika Burian\, who will provide a behind-the-scenes look at the development of Noam Text\, a dual-script Latin-Hebrew type family. \nAdi Stern will introduce the Hebrew script and share his personal and bumpy path of developing his dual-script (Latin-Hebrew) type family Noam Text. Veronika Burian will provide insights in TypeTogether’s dedication to global typography and the particular challenges of developing Noam Text. \nProfessor Adi Stern is the current president of Bezalel Academy of Arts and Design\, Jerusalem\, Israel’s first and leading art and design academy. He is a graphic designer\, type designer\, and design educator who graduated from Bezalel and received his Master’s in Typeface Design from University of Reading\, UK. \nVeronika Burian is a product designer and type designer\, who received her Master’s in Typeface Design from University of Reading\, UK. She is the co-founder of the independent type foundry TypeTogether with José Scaglione\, publishing award-winning typefaces and collaborating on tailored typefaces for a variety of clients. \nLinks: \nInstagram: @type_together \nTwitter: @typetogether \nFacebook: @TypeTogether
URL:https://tdc.org/event/adi-stern-veronika-burian-harmony-and-converse-the-story-of-noam-text/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/2019_TT_dichotomies_2600-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191024T183000
DTEND;TZID=America/New_York:20191024T203000
DTSTAMP:20260603T214239
CREATED:20190930T040000Z
LAST-MODIFIED:20190930T040000Z
UID:6602-1571941800-1571949000@tdc.org
SUMMARY:How A Rebrand Happens from A Client Perspective
DESCRIPTION:Ritesh will peel back the curtain and detail an inside look at how a rebrand happens from a client perspective. He will also offer advice on how designers\, agencies\, and in-house teams work more effectively and efficiently together\, ultimately leading to more sustainable relationships\, revenue\, and impact for all parties. \nAbout Ritesh Gupta \nRitesh Gupta recently led a rebrand with Sagmeister & Walsh and R/GA while serving as the Senior Director of Brand & UX at Pet Plate. He began his career at Wieden+Kennedy\, working brands like Cooper Hewitt and Equinox\, and has since transitioned to working in-house at mission-driven startups.
URL:https://tdc.org/event/how-a-rebrand-happens-from-a-client-perspective/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/Ritesh-Gupta_headshot.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191017T183000
DTEND;TZID=America/New_York:20191017T203000
DTSTAMP:20260603T214239
CREATED:20190923T040000Z
LAST-MODIFIED:20250113T081217Z
UID:6600-1571337000-1571344200@tdc.org
SUMMARY:New Signs for a New Subway
DESCRIPTION:Join renowned signage designers Chris Calori and David Vanden-Eynden as they describe their experiences designing the signage for the first four stations of the new Second Avenue subway line in New York City. Their talk includes an introduction to signage basics\, a brief history of the subway and its signage\, commentary on using New York City Transit graphic standards and working with engineers and architects\, and various anecdotes about the project. \nSignage design is an intricate\, complex process that marries the graphic\, architectural\, and industrial design disciplines. Chris and David will show how typography with other elements are comprehensively combined to help people navigate the underground world of New York’s newest subway stations. Explore this multifaceted avenue of visual communication; there is far more to it than you would think! \n \nChris Calori and David Vanden-Eynden\, former principals of CVE Design\, literally wrote the book on signage design. Their book\, Signage and Wayfinding Design: A Complete Guide to Creating Environmental Graphic Design Systems\, is the go-to reference on communication in the built environment. They are Fellows of the SEGD (Society for Environmental Graphic Design)\, and built an award-winning\, internationally recognized design office devoted to making people’s lives better with thoughtful\, visually-compelling signage and wayfinding programs. \nTogether or singly\, Chris and David have spoken at professional events\, taught at notable universities\, judged design competitions\, and are current or former members of several design organizations. Their firm’s work has received numerous awards and has been extensively published worldwide. Both are graduates of The Ohio State University and are currently principals of Entro | CVE Design. \nPhotography: Charles Aydlett
URL:https://tdc.org/event/new-signs-for-a-new-subway/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/1-2NDAVE-SYMMETRIC-FB-Charles-Aydlett.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190926T183000
DTEND;TZID=America/New_York:20190926T203000
DTSTAMP:20260603T214239
CREATED:20190917T040000Z
LAST-MODIFIED:20250113T081215Z
UID:6597-1569522600-1569529800@tdc.org
SUMMARY:Debbie Millman: Look Both Ways
DESCRIPTION:Join designer\, author\, educator\, and curator Debbie Millman and two artists from the New York typographic exhibition Look Both Ways\, on view at the School of Visual Arts Chelsea Gallery through September 21\, for a behind-the-scenes look at how a curator produces such a lively\, thought-provoking exhibition. \nExhibition installation\, featuring work by Cuban-American artist Edel Rodriguez \nEdel Rodriguez\, who created a site-specific installation for the show and Cey Adams\, celebrated OG street artist and designer\, will join Debbie in a roundtable that will explore how an exhibition theme is brought to life\, how artists were selected\, and how exhibition design puts it all into context. \nWork by hip-hop graphic designer Cey Adams \nAbout Debbie Millman \nNamed “one of the most creative people in business” by Fast Company\, and “one of the most influential designers working today” by Graphic Design USA\, Debbie Millman is also an author\, educator\, curator and host of the podcast Design Matters.
URL:https://tdc.org/event/debbie-millman-looks-both-ways/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Look-Both-Ways-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190725T183000
DTEND;TZID=America/New_York:20190725T203000
DTSTAMP:20260603T214239
CREATED:20190702T040000Z
LAST-MODIFIED:20190702T040000Z
UID:6580-1564079400-1564086600@tdc.org
SUMMARY:Torsten Lindsø Andersen: Type in Context
DESCRIPTION:So many contemporary brand typefaces look alike. The Kontrapunkt type department in Copenhagen believes that diversity is important in every aspect of life\, including design and type design. On a quest to fight typographic monoculture Torsten will share strategies and experiences with designing letters that tell stories – drawing parallels to the arts of architecture\, sound\, and New Nordic Cuisine in search of inspiration and methodology. \nTorsten Lindsø Andersen is a (type)designer based in Copenhagen\, where he runs Kontrapunkt’s type department and type lab together with Rasmus Michaëlis. Torsten’s experience working with corporate visual identities are put to use when designing bespoke typefaces for large and small brands around the world. \nWebsite: www.kontrapunkt.com\nInstagram: @kontrapunktcom\nRasmus and Torsten's Instagram: @torsten.rasmus\nFacebook: @kontrapunktcom
URL:https://tdc.org/event/torsten-lindso-andersen-type-in-context/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Salon_Type-in-Context_Faceboo-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190711T180000
DTEND;TZID=America/New_York:20190711T204500
DTSTAMP:20260603T214239
CREATED:20190702T040000Z
LAST-MODIFIED:20190702T040000Z
UID:6581-1562868000-1562877900@tdc.org
SUMMARY:Type ThursdayNYC
DESCRIPTION:TypeThursdayNYC is a monthly gathering of type geeks\, held at Type Directors Club. We like to think of ourselves as a type superfamily: we attract local letterform lovers hailing from all disciplines and levels of expertise. Social hours bookend the centerpiece of our event\, a group critique we refer to as Type Crit. \nWhat the font is Type Crit‽\nBriefly: It’s a critique. Of letterforms. No grades. Plenty of wine. \nVerbosely: Type Crit is a group critique of up to four\, in-progress projects involving letterform design and/or usage. You can get\, give\, or simply listen to feedback—your pick! Discussion is moderated by a TypeThursdayNYC dialogue lead—we pride ourselves on fostering a friendly forum for constructive\, thoughtful advice that’ll raise the baseline on your letterform game. \nQUICK LINK: Sign up to present work for feedback at Type Crit\nWhat’s the program for the evening? \n6:00pm – 6:45pm: Check in & Socializing\n6:50pm: Opening Statements | Introduction\n7:00pm – 8:00pm: Type Critiques\n8:00pm: Closing Comments | Outro\n8:10pm – 8:45pm: Socializing & End of Event
URL:https://tdc.org/event/type-thursdaynyc-4/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/Screen-Shot-2019-06-29-at-9.35.27-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190612T183000
DTEND;TZID=America/New_York:20190612T203000
DTSTAMP:20260603T214239
CREATED:20190425T040000Z
LAST-MODIFIED:20190425T040000Z
UID:6567-1560364200-1560371400@tdc.org
SUMMARY:Signal: An American Type Foundry in Dublin
DESCRIPTION:In 2013\, type designer Max Phillips followed his Irish wife from New York City to Dublin and found a close-knit\, fast-growing\, and welcoming design community. He'll talk about running a small type foundry in a new country\, collaborating with Dublin designers on Dublin institutions\, and learning what "Irish" means from Irish people continually answering that question for themselves. \n  \nMax Phillips is proprietor of the Dublin-based Signal Type Foundry & Drawing Office\, which specializes in type design\, lettering\, and branding. A former novelist and toy designer\, he now makes useful\, attractive things for clients like An Post\, Bewley's\, CBS\, Christie’s\, Citi\, FAO Schwarz\, and Trinity College Dublin\, and collaborates with studios and agencies in Ireland and abroad. His work has been recognised by the Type Directors Club\, Communication Arts\, Graphis\, and the ISTD. \nSignal website: https://signalfoundry.com/\nTwitter: @SignalType\nInstagram: @signaltype
URL:https://tdc.org/event/signal-an-american-type-foundry-in-dublin/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Signal_tdcTalk_HERO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190605T183000
DTEND;TZID=America/New_York:20190605T203000
DTSTAMP:20260603T214239
CREATED:20190502T040000Z
LAST-MODIFIED:20190502T040000Z
UID:6569-1559759400-1559766600@tdc.org
SUMMARY:Robert Finkel and Shea Tillman: Visual Memoranda - IBM Poster Program 1969-1979
DESCRIPTION:Join us for the opening night of our new exhibition\, Visual Memoranda: A Selection of Posters from the IBM Poster Program 1969-1979.  Curators Robert Finkel and Shea Tillman will be there to share their research about this corporate design venture and speak about the designers whose works are on display. \nThe decades following World War II ushered in an era of unprecedented growth for International Business Machines (IBM)\, as innovations in electronic data processing and the miniaturization of transistor-based electronics transformed the company into a multibillion-dollar colossus. \nDuring this period\, Thomas J. Watson Jr.\, president of IBM\, sought to elevate the company’s image as a forward-thinking\, technologically-advanced organization by hiring world-renowned design consultants\, including Eliot Noyes\, Charles and Ray Eames\, and Paul Rand (who designed the instantly recognizable IBM logo and held a remarkable influence over internal staff designers.) \nThe IBM Poster Program was initiated in the late 1960s by staff designer Ken White\, who had studied under Rand at Yale. It was also during this period that Tom Bluhm transferred into the team\, having worked as a contract illustrator for IBM in Rochester\, Minnesota. Shortly thereafter\, Ken’s former colleague John Anderson was also added to the staff. \nWebsite preview here. \nThis exhibition is open for viewing from June 6 until Thursday\, August 1st\, 3 p.m. by appointment only. The TDC office is closed on weekends.
URL:https://tdc.org/event/robert-finkel-and-shea-tillman-visual-memoranda-ibm-poster-program-1969-1979/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Salon_Visual-Memoranda_Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190529T183000
DTEND;TZID=America/New_York:20190529T203000
DTSTAMP:20260603T214239
CREATED:20190426T040000Z
LAST-MODIFIED:20190426T040000Z
UID:6568-1559154600-1559161800@tdc.org
SUMMARY:Gallery Talk with Manuel Estrada: Painting with Letters
DESCRIPTION:Because we have had such an incredible response to Manuel Estrada's beautiful exhibit\, we have invited him to come back to New York and speak about his work. Take a look at the photo gallery here. \nPainting with letters is something Manuel Estrada has always been interested in\, as in writing with images. It is a way of summing up all tools to turn design into an object to examine or an image to look at. Manuel will talk about his book covers\, posters\, and logos that are built around the same principle — typography as the main tool of graphic design. \nManuel Estrada is the recipient of the Spanish National Design Award. His Estudio\, founded in 1989\, has offices in Madrid and Miami\, it has a team of 17 people and is specialized in corporate identity programs. He is a strong supporter of design as a fact of business development and its direct input in the success of corporations\, and has also being dedicated to teaching in many different institutions. His work has been exhibited in New York\, Chicago\, Helsinki\, Berlin\, Lisbon\, and many cities throughout Spain. \nWebsite: www.estradadesign.eu\n \nTwitter: @Estrada_design
URL:https://tdc.org/event/manuel-estrada-painting-with-letters/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Estrada_Eventbrite.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190516T173000
DTEND;TZID=America/New_York:20190516T193000
DTSTAMP:20260603T214239
CREATED:20190206T050000Z
LAST-MODIFIED:20250113T081143Z
UID:6534-1558027800-1558035000@tdc.org
SUMMARY:David Berlow: Beyond the Quest for the Perfect Uppercase Partial Differential
DESCRIPTION:This free event will be streamed live from Google HQ in New York City on the TDC YouTube Channel: TDC YouTube \nThe YouTube event will go live at 5:5o pm EST\, and the program will begin at 6:00pm EST. Join us for a memorable event! \nThe last 30 years has seen a great growth in generalized glyphs and styles. David Berlow's talk will show what happens to and for typography when we start to get more specific about the fonts\, and thus the glyphs we design by having more generalized fonts. \nThe first part talks about glyphs and illustrates how different scripts form ideas\, words\, and texts. Next\, David will discuss how this effects the design of glyphs over a size range and then how this affects the design of styles that can be specified to work together in web and print environments. He will then demonstrate and describe inter-script\, inter-class and inter-style typography\, and conclude with a question-and-answer session. \nDavid Berlow entered the type industry in 1978 as a letter designer for Mergenthaler. He joined the newly formed Bitstream in 1982. Berlow left Bitstream in 1989 to found The Font Bureau with Roger Black. In 2008\, Berlow launched Webtype with Petr van Blokland and others. In 2016\, with Font Bureau and other foundries\, he created Type Network. \nType Network: Website  \nFollow David Berlow on Twitter: @dberlow  \nRead more about David Berlow here. \nThis event is being held in association with NYC x Design:
URL:https://tdc.org/event/david-berlow-uppercase-partial-differential/
LOCATION:Google\, 111 Eighth Avenue\, New York\, NY\, 10011\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Salon_Berlow_Google_Facebook.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190508T183000
DTEND;TZID=America/New_York:20190508T210000
DTSTAMP:20260603T214239
CREATED:20190417T040000Z
LAST-MODIFIED:20250113T081155Z
UID:6561-1557340200-1557349200@tdc.org
SUMMARY:Type x Graphic Design: Craft and Originality
DESCRIPTION:Join us for our second night of frank (and passionate!) conversation between graphic designers and type designers. Together we shape the typographic landscape\, yet we still have so much to learn from each other. Our first conversation was about collaboration; this evening\, let's talk about craftsmanship. \nOn May 8th moderator Charles Nix and panelists Christian Schwartz\, Jennifer Kinon\, Ksenya Samarskaya\, and Naomi Abel will catch up and examine our unique and collaborative process. The speakers will give a brief presentation of their creative processes and then join in a discussion. We’ll ask a range of questions\, including: \n    How do you handle the presentation/marketing of your work?\n    How do you balance originality\, experimentation\, and craftsmanship?\n    What makes a typeface and/or a design unique? \nType designers and graphic designers: Let’s keep talking! \n\nSchedule\n    6:30 pm Doors open & check-in\n    7:00 pm Event begins\n    8:30 pm Event ends\n    8:30 pm Post event reception\n\nTDC Members: $5\nAIGA Members: $5\nNon-members: $30\nStudent non-members: $15\nMODERATOR \nCharles Nix\nCharles is a designer\, typographer\, and educator. He has designed hundreds of books and typefaces\, and for more than 20 years\, taught at the Parsons School of Design\, where he also served as Chairman of Communication Design. He is also Chairman emeritus of the board of the Type Directors Club\, an international organization dedicated to furthering typographic excellence. He is a Type Director at Monotype. \nPANEL \nNaomi Abel\nNaomi is a California-born designer & art director who specializes in branding\, typography\, fashion and the arts. She currently works for Michael Bierut at Pentagram’s New York studio. She received her BFA from Boston University in 2009 where she studied Graphic Design and minored in Art History. She also studied type design at the Cooper Union under the mentorship of Christian Schwartz and Berton Hasebe. Prior to Pentagram\, Naomi worked at Mother\, Wieden & Kennedy and several prestigious small design studios. \nJennifer Kinon\nJennifer co-founded The Original Champions of Design with Bobby C. Martin Jr. She has developed brand identity systems for clients that range from the Girl Scouts of the USA to The New York Times\, MTV\, the NBA and Ad Age. During 2016\, Kinon served as Design Director of Hillary for America. She has spoken about the role of brand identity systems around the world\, served as President of AIGA/NY and was the first graduate of the School of Visual Arts MFA Design program to join the faculty. \nKsenya Samarskaya\nKsenya is a creative practitioner and type designer\, following her fascination with the nuances inherent in our visual and literary culture. Samarskaya has judged competitions for Communication Arts\, TISDC\, TDC\, and the SoTA Catalyst Award\, and served on the board of AIGA/NY. She’s developed curriculum and teaches at Harbour.Space University in Barcelona\, as well as fielding courses at The University of the Arts in Philadelphia and The School of Visual Ars in NYC. Recent areas of investigation include type in extended reality\, and best pedagogical practices for creativity. \nChristian Schwartz\nChristian is a partner\, with London-based designer Paul Barnes\, in the type foundry Commercial Type\, and heads up the company’s New York office. Schwartz has published fonts with many respected independent foundries and has designed custom typefaces for corporations and publications worldwide including MoMA\, the New York Times Style Magazine T\, The Guardian\, Sprint\, and Vanity Fair. In 2007\, Schwartz was awarded the prestigious Prix Charles Peignot\, given every four or five years by the Association Typographique Internationale to a designer under 35 who has made “an outstanding contribution to the field of type design”. Schwartz’s work has also been honored by the Cooper-Hewitt National Design Museum\, the New York Type Director’s Club\, and the American Institute of Graphic Arts. \nBUY TICKETS HERE \nThis program is organized by the Type Directors Club in collaboration with AIGA NY and the support of Parsons.
URL:https://tdc.org/event/type-x-graphic-design-craft-and-originality/
LOCATION:Parsons School of Design\, Theresa Lang Community and Student Center\, Arnhold Hall\, Room 1202\, 55 West 13 Street\, New York\, NY\, 10011\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/AIGA-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190507T180000
DTEND;TZID=America/New_York:20190507T203000
DTSTAMP:20260603T214239
CREATED:20190423T040000Z
LAST-MODIFIED:20190423T040000Z
UID:6565-1557252000-1557261000@tdc.org
SUMMARY:TDC Book Night 2019
DESCRIPTION:Join us as we invite three of the world’s best book cover designers and art directors to come show us how it’s done. This legendary event sells out fast\, so get your tickets while you can. \nNote: Doors open at 6:00pm - The event starts promptly at 6:30pm. \nNicole Caputo is an award-winning New York graphic designer who has been specializing in book and book cover design for the past 15 years. She is the Creative Director of Counterpoint Press\, the Art Director of Catapult and is also co-founder of She Designs Books\, an organization that celebrates women in book design. She was formerly VP\, Creative Director at Hachette Book Group. Awards include the One Show\, Communication Arts\, Type Directors Club\, Art Directors Club\, AIGA/NY\, HOW International Design\, PRINT Regional Design\, the New York Book Show\, the National Gold Ink Awards\, London International Creative Competition\, and the Publishing Professionals Network. \nAlex Merto is a Brooklyn-based graphic designer and art director\, born in New York and raised in California. He graduated from the School of Visual Arts. He is currently an Art Director at Farrar\, Straus and Giroux\, as well as a parter of Graphiatrist\, a design studio focusing on editorial design and brand identity. His work has been recognized by AIGA\, Type Directors Club\, PRINT magazine and The New York Times. \nJason Ramirez is an award-winning designer and art director with Viking/Penguin Books. Previously he worked with St. Martin’s Press and Rodrigo Corral Design. His work has earned honors from Communication Arts and PRINT magazines\, Type Directors Club\, the AIGA-Design Observer 50 Books | 50 Covers competition and the New York Book Show. In addition\, his projects have been published in several books related to graphic design and publishing. Jason is a graduate of Parsons School of Design and the University of Rochester. \nThis event is sponsored by A to A Studio Solutions.
URL:https://tdc.org/event/tdc-book-night-2019/
LOCATION:Museum of Art and Design (MAD)\, 2 Columbus Circle\, New York\, NY\, 10019\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Book-Night_Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190425T183000
DTEND;TZID=America/New_York:20190425T203000
DTSTAMP:20260603T214239
CREATED:20190202T050000Z
LAST-MODIFIED:20250113T081142Z
UID:6532-1556217000-1556224200@tdc.org
SUMMARY:The Twilight of Letterpress: New York in the 80s
DESCRIPTION:Ron and Dean interviewed the various proprietors and photographed their shops\, their studios\, and representative samples of their work. Little did any of them know that what was coming to an end in the city was not only letterpress\, but the whole printing industry itself. Ron will show Dean’s nostalgic and evocative photos again in a re-creation of a talk originally given in 1984\, and reflect on printing in New York the last 35 years.\nPittsburgh Metal Foundry \nRon Gordon (in hat) \nRON GORDON studied printing\, typography\, and book design with two great masters\, Leonard Baskin and Joseph Blumenthal\, and then founded his own Oliphant Press in 1970 to carry on the tradition of fine printing and design. Beginning as a letterpress printer\, Ron adapted his style and skills as the craft shifted to computer typesetting\, offset lithography\, and now\, digital printing.  \nHis work has been exhibited at the Amherst College Library\, the RIT Cary Collection\, and the Club of Odd Volumes\, in Boston. Ron has taught workshops at the book arts centers at Wells\, Wellesley\, Dartmouth\, and RIT. He has trained numerous assistants and interns\, and has lectured at libraries\, colleges\, and book clubs all over the country.
URL:https://tdc.org/event/the-twilight-of-letterpress-new-york-in-the-80s/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Salon_Ron-Gordon_Facebook-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190411T183000
DTEND;TZID=America/New_York:20190411T203000
DTSTAMP:20260603T214239
CREATED:20190316T040000Z
LAST-MODIFIED:20250113T081148Z
UID:6549-1555007400-1555014600@tdc.org
SUMMARY:Miguel Reyes: Variation on a Theme
DESCRIPTION:Commissioned by creative director Cian Browne and art director Jeffrey Burch\, this display family was designed to accentuate the magazine’s provocative photography and cutting edge fashion\, and will soon make its way to the retail market. \nMiguel Reyes (born 1984)\, originally from Puebla\, Mexico\, studied graphic design at Benemérita Universidad Autónoma de Puebla before working as a type designer\, graphic designer\, and publication designer in Barcelona and Mexico City\, then studied type design at CEGestalt\, School of Design in Mexico City. He later attended the Type and Media Masters course at KABK in the Hague and began working with Commercial Type at the beginning of 2013. His work has been honored by the New York Type Directors Club\, the Latin American Biennial of Typography\, and by the Fine Press Book Association. \n \nWebsite: https://commercialtype.com/about/miguel_reyes \nInstagram: @font_taste \nTwitter: @font_taste
URL:https://tdc.org/event/miguel-reyes-variation-on-a-theme/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/W-Vol7-Carey-opener.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190403T183000
DTEND;TZID=America/New_York:20190403T203000
DTSTAMP:20260603T214239
CREATED:20190319T040000Z
LAST-MODIFIED:20190319T040000Z
UID:6552-1554316200-1554323400@tdc.org
SUMMARY:Manuel Estrada: Painting with Letters
DESCRIPTION:The central idea of this exhibition is that writing and painting are two close activities that are in the central core of the creative process. Painting with letters is something Manuel Estrada has always been interested in\, as in writing with images. It is a way of summing up all tools to turn design into an object to examine or an image to look at. Most of works shown are book covers\, but the exhibition features posters and logos that are built around the same principle -- typography as the main tool of graphic design. \nManuel Estrada is the recipient of the Spanish National Design Award. His Estudio\, founded in 1989\, has offices in Madrid and Miami\, it has a team of 17 people and is specialized in corporate identity programs. He is a strong supporter of design as a fact of business development and its direct input in the success of corporations\, and has also being dedicated to teaching in many different institutions. His work has been exhibited in New York\, Chicago\, Helsinki\, Berlin\, Lisbon\, and many cities throughout Spain. \nWebsite: www.estradadesign.eu\n \nTwitter: @Estrada_design
URL:https://tdc.org/event/manuel-estrada-painting-with-letters-book-covers-typograms-and-other-typographic-projects/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/png:https://tdc.org/wp-content/uploads/2025/01/Salon_Manuel-Estrada_Banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190327T180000
DTEND;TZID=America/New_York:20190327T203000
DTSTAMP:20260603T214239
CREATED:20190309T050000Z
LAST-MODIFIED:20190309T050000Z
UID:6546-1553709600-1553718600@tdc.org
SUMMARY:Type x Graphic Design: Relationships & Collaboration
DESCRIPTION:Graphic designers and type designers need each other (aww!). Our relationship is a powerful force that shapes the typographic landscape. And yet\, we never get together. It’s time we talked. \nJoin Elizabeth Carey Smith\, June Shin\, Lisa Smith\, Nina Stössinger\, and YuJune Park on March 27th where we’ll be catching up and shedding light on our unique and collaborative process. The speakers will be giving a brief presentation of their creative processes\, and will gather around for a panel discussion. We’ll be covering a range of questions\, including: \nHow do graphic designers find and select typefaces?\nWhat do type designers have in mind when they’re designing new ones?\nHow do custom typefaces come to life? \nType designers and graphic designers: a meeting is long overdue. Let’s talk! \nEvent Series: Fresh Dialogue\nType x Graphic Design: Relationships & Collaboration is part of the Fresh Dialogue event series. These events are critical discussions that focus on current events\, issues of cultural relevance and emerging topics in the world of design. \nAIGA event in collaboration with Type Directors Club. Tickets include post-event reception.
URL:https://tdc.org/event/type-x-graphic-design-relationships-collaboration/
LOCATION:Alvin Johnson/J.M. Kaplan Hall\, Parsons School of Design at The New School\, 66 West 12th Street\, New York\, NY\, 10011\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/gif:https://tdc.org/wp-content/uploads/2025/01/Website_1500x1500.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190326T183000
DTEND;TZID=America/New_York:20190326T203000
DTSTAMP:20260603T214239
CREATED:20190216T050000Z
LAST-MODIFIED:20250113T081145Z
UID:6540-1553625000-1553632200@tdc.org
SUMMARY:Gloria Kundrup and Meryl Vedros: FEMINAE\, Typographic Voices: of Women\, by Women
DESCRIPTION:Gloria Kundrup and Meryl Vedros will present posters curated from the archives of the Center for the Study of Political Graphics -- a selection that examines issues such as choice\, gender inequality\, war\, and violence against women. Included are works by Barbara Kruger\, Sister Corita Kent\, the Guerilla Girls\, and others\, representing the global voice of women. \nGloria Kundrup is currently the Executive Director of the Hoffmitz Milken Center for Typography [HMCT] at ArtCenter College of Design\, whose mission is to advance and elevate typography. As Director of HMCT/Archetype Press\, ArtCenter’s unique and vibrant letterpress studio\, she redefines the value of typography and analog technology in the digital landscape. \nHMCT Links:\nWebsite: www.hmctartcenter.org\nInstagram: @hmctartcenter\nTwitter: @hmctartcenter\nFacebook: @hmctartcenter \nMeryl Vedros is the Creative Director and owner of Vedros Studio\, a company specializing in brand design and field research. Her path as an entrepreneur and explorer has given her the opportunity to travel more than 30 countries as a nomad\, speaker\, and ethnographer.  \nWebsite: http://vedrosstudio.com/\nInstagram: @vedrosstudio \nMeryl Vedros
URL:https://tdc.org/event/gloria-kondrup-feminae-typographic-voices-of-women-by-women/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Gloria-Kodrup_Feminae_Facebook-Banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190321T183000
DTEND;TZID=America/New_York:20190321T203000
DTSTAMP:20260603T214239
CREATED:20190215T050000Z
LAST-MODIFIED:20190215T050000Z
UID:6539-1553193000-1553200200@tdc.org
SUMMARY:Timothy Samara: The Wheel Is Still Round: Renewing Focus on the Study of Form in Graphic Design Education
DESCRIPTION:How did we become so distracted from what really matters? Provocative answers to these questions precede a prescription for effectively building students’ expertise in design’s core fluency. \nTimothy Samara is a New York–based graphic designer who integrates professional practice and teaching at several institutions; he is a frequent lecturer and contributor to design publications. Samara’s 11 books on design have been translated into ten languages and are used by students and practitioners around the world. He is currently developing a visual/cultural history of graphic design. \nWebsite: www.timothysamara.com
URL:https://tdc.org/event/timothy-samara-the-wheel-is-still-round-renewing-focus-on-the-study-of-form-in-graphic-design-education/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/TDC_Samara_Facebook.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190207T180000
DTEND;TZID=America/New_York:20190207T210000
DTSTAMP:20260603T214239
CREATED:20190202T050000Z
LAST-MODIFIED:20190202T050000Z
UID:6527-1549562400-1549573200@tdc.org
SUMMARY:Type ThursdayNYC February
DESCRIPTION:TypeThursdayNYC is a monthly gathering of type geeks\, held at Type Directors Club. We like to think of ourselves as a type superfamily: we attract local letterform lovers hailing from all disciplines and levels of expertise. Social hours bookend the centerpiece of our event\, a group critique we refer to as Type Crit. \nWhat the font is Type Crit? \nBriefly: It’s a critique. Of letterforms. No grades. Plenty of wine.\nVerbosely: Type Crit is a group critique of up to four\, in-progress projects involving letterform design and/or usage. You can get\, give\, or simply listen to feedback—your pick! Discussion is moderated by a TypeThursdayNYC dialogue lead—we pride ourselves on fostering a friendly forum for constructive\, thoughtful advice that’ll raise the baseline on your letterform game. \nQUICK LINK: Sign up to present work for feedback at Type Crit here. \nWhat’s the program for the evening?\n6:00pm – 6:45pm: Check in & Socializing\n6:50pm: Opening Statements | Introduction\n7:00pm – 8:00pm: Type Critiques\n8:00pm: Closing Comments | Outro\n8:10pm – 8:45pm: Socializing & End of Event \nFAQs\nWho should go?\nAnyone who loves letterforms. We always welcome a new (type)face. \nDo I have to present?\nNot at all! Some people come to network\, some to learn and observe\, and some to help give feedback. Your level of participation is up to you. \nWhy should I consider presenting at Type Crit?\nYou'll get free\, friendly\, fast feedback from fellow font fanatics\nType Crit presenters get free admission to the event\nWe shower presenters with love on our Twitter and Instagram pages.\nInstagram: @typethursdaynyc\nTwitter: @typethursdaynyc \nWhat kinds of work can I show at Type Crit?\nWe accept any work involving the use or design of letterforms. Examples:\nLogotype designs\nHand lettering\nCalligraphy\nTypeface designs\nPrint layouts that involve typesetting\nUI designs that need hierarchical sharpening\n… or make up a new genre of type-related work and blow our minds! \nHow do I submit work to Type Crit?\nUpload files using TypeThursdayNYC's handy online form.\nWe'll display your work using a projector hooked up to a laptop. \nI have more questions!\nEmail our organizer\, Whitney Dobladillo: whitney.dobladillo@typethursday.org \nPartners & Sponsors\nTypeThursdayNYC is made possible by our generous sponsors\nNational Sponsor: Adobe Fonts\nEvent Host Partner: TDC | The Type Directors Club
URL:https://tdc.org/event/type-thursdaynyc-february/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Special Events,Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/Type-Thursdays_Facebook-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190206T183000
DTEND;TZID=America/New_York:20190206T203000
DTSTAMP:20260603T214239
CREATED:20190129T050000Z
LAST-MODIFIED:20190129T050000Z
UID:6526-1549477800-1549485000@tdc.org
SUMMARY:The Right Kind of Wrong: Inside the Facebook Analog Research Lab
DESCRIPTION:You’ll see posters\, printed matter and installation work of the Facebook Analog Research Lab and its Designer-in-Residence program established in 2016. Scott Boms will offer a rare view and chart the evolution of the values and mission of this unique organization — the what\, the how\, and most importantly\, the why. \nScott will talk about how and why Facebook decided to put ideas\, critical questions\, and visual interventions into the spaces that people inhabit\, and how these hand-crafted artworks are opening doors to new ways of looking at the world\, finding community\, inviting dialog\, and creating positive friction that meaningfully affects people. \nScott Boms is a cross-disciplinary graphic designer and printmaker. As the global design lead at the Analog Research Lab\, Facebook’s in-house design and art making studio\, he is responsible for creating and guiding projects that ask questions\, intersect social values\, and provoke important questions with the aim to open minds to new ideas and perspectives. \nThe evening will feature a panel discussion featuring Facebook’s past Designers in Residence: Elana Schlenker\, Kaye Blegvad\, Eddie Perrote\, and Luiza Dale. \nWebsite: http://scottboms.com\nInstagram: @scottboms\nTwitter: @scottboms\nFacebook: @scottboms \nFacebook Analog Research Lab:\nInstagram: @analoglab\nFacebook: @analoglab
URL:https://tdc.org/event/the-right-kind-of-wrong-inside-the-facebook-analog-research-lab/
LOCATION:Type Directors Club\, 347 W 36th St Suite 603\, New York\, NY\, 10018\, United States
CATEGORIES:Salons
ATTACH;FMTTYPE=image/jpeg:https://tdc.org/wp-content/uploads/2025/01/1_Scott-Boms_Portrait_Facebook.jpg
END:VEVENT
END:VCALENDAR